Showing posts with label patreon. Show all posts
Showing posts with label patreon. Show all posts

Friday, December 20, 2024

Advent Calendar - Day 20 A VERY SPECIAL GIVEAWAY

 WELL, THIS IS EMBARRASSING. TWO POSTS WENT UP YESTERDAY. That was obviously a mistake. So I'm reposting this today because otherwise I'm going to be short a post. ARGHHHHH. Sorry about that! 


Good morning! I have something different in the way of giveaways today. I think it's a very cool gift, but who knows? 

Anyway. I've decided to gift 5 subscriptions to my Patreon at the Murder, My Sweet (that's the $5.00) tier for one full year.

What do you get to access at that tier? Well, it's changed over time (and will continue to change) but as of right now:

  • Access to one chapter a week of a story written specifically for Patreon - starting in February 2025 (project to be determined).

  • A minimum of one rough draft chapter a month of What Lies Beneath (Mystery at the Masquerade from Jack's POV)

  • Bonus materials such as story snippets, character interviews, artwork (not including Monday Man Art), deleted scenes, holiday codas/epilogues, character notes, etc.

  • Sea Change - Murder at Pirate's Cove (first book in The Secrets and Scrabble series retold from Jack's POV). The final version will be collected in an edited epub exclusive to Patreon members who subscribe at this tier following your 1st month anniversary   

  • The edited and formatted digital editions of each Secrets and Scrabble cozy mystery published during your subscription period (I don't know that I'm writing any S&S next year, to TBH).



How do you get your name into the running for a gift subscription? Obviously, I'd like these to go to genuine fans. So comment down below about any one of my books that really means something to you.  Tell me why you love that particular book. I'll give it a week and then randomly select from the responses I like best. Because the membership will begin on January 1st, there's a shorter window to respond. I plan to send out the winners their gift links on December 30th.

Now, I should also mention that I'm currently running a 50% discount on a one year subscription to Patreon. Those discounts apply to four tiers, beginning  at the $20.00 tier. You cannot have previously subscribed to Patreon, I believe, though if you're there as a free member, I think you can use the discount code. That code is 38CE0. It expires December 31st. 

It's actually a really nice deal though, because you can participate at the $20.00 tier with all its rewards, for the price of the $10.00 tier! For a full year! 

(This is the first year Patreon has offered creators these kinds of tools for promotion, so we'll see how it goes. Which is my vague way of warning that there's no guarantee I ever do any of this again.)

Anyway, if a gift membership sounds like fun to you, comment about which of my books means the most to you below! 



Friday, January 20, 2023

Ink THIS!





So. Have you heard of Inkitt

Frankly, I'd never heard of it either until their very charming representative contacted me about their plans to experiment with a subscription model.  Something I know a little bit about.

As you probably know by now, I'm a creator on--and proponent of--Patreon. Which is to say, I adore my patrons. I have issues with Patreon itself, which I won't detail here. 

Actually, what Inkitt is proposing is sort of a cross between Patreon and Radish. If you're familiar with web publishing platforms and mobile apps, you know that those readers are largely not the same readers scouring Amazon for KDP deals. ;-D Which is why Vella has not been the raging success Amazon hoped for. They're starting with a completely different customer base. 

Mobile app readers are lured into paying WAY more for stories because the web platform interface is more interactive. It's a bit like a game. And the experience is as much of what the readers want as is the book itself. I make a few bucks here and there on these apps with my backlist, but authors like SC Wynne, who can deliver fresh content daily, are killing it on Radish. 

That's my experience anyway. YMMD.

Back to Inkitt.

The audience on Inkitt is largely not my audience--romance rather than mystery and romantic suspense are the big draw on these platforms--but our goal as authors is to constantly seek to build our audience. one reader at a time. 

So the reality is I'll have to bring my own audience to Inkitt to start with because A - I'm unknown in that world (now there's a humbling experience :-D :-D :-D ) and B - the Inkitt interface is pretty disastrous (as in discoverability on the site is almost impossible if the goal is sell backlist rather than write fresh content and then publish for free).

For example, if you click on my Inkitt wall to see what goodies might await you, you see this enticing prospect:



I mean, WHO COULD RESIST?! LOL.

In fact, this is a partial glimpse of what lies behind the wall--with lots more coming soon:




You can see that it includes weekly chapters of Puzzle for Two, the serialized story I'm currently writing on Patreon. 

Let's comparison shop for a moment. For a $3.00 monthly subscription on Inkitt, you get regular access to my rotating backlist PLUS weekly chapters of a new serialized story. 

For a $3.00 subscription on Patreon you get weekly access to a new serialized story:





You see what I'm saying, right?

Now that's not exactly a true picture, because on Patreon, I also throw in a lot of bonuses throughout the year AND we have a holiday zoom call. You're going to get more personal interaction on Patreon, but basically Inkitt is the better deal as far as books for your bucks.


Why am I doing this when I claim to be a proponent of Patreon? Well, as you know, I've never been a fan of putting all my eggs in one basket. But also, Patreon's service fees make the $1.00 and $3.00 tiers pretty much loss leaders. I've already capped them and I'm slowly but surely phasing them out on the platform. Inkitt takes a smaller cut and so a $3.00 tier could actually, eventually be profitable. Maybe. With enough subscribers. The goal is always to find new readers and there are readers to be found on Inkitt. 

INKITT DEMOGRAPHICS (**NEWLY ADDED)









The other goal, of course, is to earn passive income through my existing backlist. All these little revenue streams add up. As my titles are held to be rather pricy in the world of permafree, .99 cents, and Kindle Unlimited, this particular subscription is a pretty good deal for the dollars. AND you're supporting an author whose work you enjoy.

At least, I think it's a pretty good deal, but then I would. ;-D  Let me know what YOU think.







Friday, January 22, 2021

Happy THIRD Anniversary to my Patrons!

 I was so surprised to see we've reached the THREE-YEAR MILESTONE! 

Wow.

(Thank you so much for your support. I'm not sure I could have done this last year without you.)





Sunday, December 13, 2020

Advent Calendar Day 13

 Happy Sunday morning in December!

We're about to have quiche and coffee and then a quick morning walk. It's cold and sunny and the trees are just about bare. What do you have planned for the day? Well, before you do that, here's your daily gift of holiday cheer. Today we have a lovely teaser by the lovely Catherine Dair. Cat captures one of my favorite scenes from The Monuments Men Murders. ;-) 





And then, because heck, it's the holidays! I'm sharing another little bit of sweetness. This coda was  written for Patreon way back when. A reader pointed out that we never actually get to see Sam and Jason's first real kiss because it happens after the end of The Mermaid Murders. (So much of the best stuff happens between books, doesn't it? :-P )

Anyway, here you go! Have a lovely morning! 

Jason and Sam – First Kiss
 

Kennedy let out a long breath, like a swimmer who just didn’t have the strength to keep fighting current. The moment seemed to float there, and then he reached out, hand locking in Jason’s hair, pulling him in for a kiss.

Just before their lips met Kennedy said softly, “When and where?”

 

The pressure of Sam’s mouth warmed, deepened—our first real kiss, Jason thought dizzily—Sam’s lips parting Jason’s lips with gentle insistence, and Jason opening right up, like a solar sail unfurling in space…he was flying, flying with astonished delight.

Sam here. Sam kissing him.

Sam tasted of bitter coffee and hard words, but his kiss was honey-sweet, unexpectedly, meltingly sweet.

Who would have dreamed Sam Kennedy could kiss like that? And when they reluctantly parted, Sam dropped another quick brush of a kiss on Jason’s mouth.

Jason tried to read Sam’s face. He was still a little uncertain. He had gone from heartbreak to happiness in less than sixty seconds and he was feeling off balance.

Sam’s gaze fell on Jason’s bags, packed and ready to go beside the door.

“You were planning on an early start,” he said.

“I know when I’m not wanted.” Jason was smiling, but the hurt had been real.

Sam’s hard mouth curled into a faint self-mocking smile. He shook his head, drawing Jason back against him. “I never said that.” He touched his mouth to Jason’s, lightly, teasingly, but maybe there was a hint of apology. Maybe?

Sam whispered again, “No, I never said that.”


Wednesday, September 2, 2020

It's Cal Worthington and Her Dog Spot!

So far I have not had to resort to riding a pig around a car lot, but given how weird this year is, who knows?

Anyway, if you've been considering pledging to my Patreon, I have an enticing but limited time offer. 

ANNUAL MEMBERSHIPS.

Patreon recently decided to offer the option of annual subscriptions to both new and existing patrons. (Apparently 35% of patrons would prefer not to be bothered with monthly payments!) I can see the convenience of this, assuming you have the ability to pay your monthly fees in a lump sum up front--and I can see there is a short term potential advantage to me. 

I'll be honest, I'm not sure about this, but a lot of people are struggling right now, so from today until the end of December, I'm offering a 10% discount on annual pledges.

Basically, if you're currently paying $10.00 a month (or $120.00 a year), you'd be paying $9.00 a month (or $108. a year) And so on and so forth. You're paying less but you're getting a free month of membership.You're also reducing transaction fees and reducing the change of credit card declines. Those are all good things! Right?  

Right. 

So. Visit my Patreon page where you’ll see the option below the “Join” button of your chosen tier. Just follow the directions. 

There's lots more helpful info right here.  (And no, I don't mean the video!) 








Friday, November 29, 2019

Tying Up the Loose Ends

This is going to be a sort-of end-of-the-year round-up because tomorrow I Buried a Witch goes live and on Sunday the annual Advent Calendar begins.

2019 was...an interesting year. A lot of things changed. Some of those changes had to do with the whole publishing industry and some of the changes had to do with what's happening with me personally. And some of the changes had to do with how I feel about those other changes. If that makes sense.

From a publishing perspective, a challenging business has gotten even more challenging. But some of the things I put into motion in 2018 are beginning to pan out. My print sales through IngramSpark are now higher than my Amazon print sales! That's cool--and what's even cooler is my books are now available for order in libraries and bookstores. That's a win. Also about a third of my audio backlist is now wide. I can't say that the sales rival Audible :-D but the sales are climbing, so that's good. That's the direction it needs to go. I just have to bite the bullet and put some of my series wide too.

I also resigned myself to the fact that Kindle Unlimited is a reality of writing life, and I'm cutting my nose off to spite my face if I refuse to participate in any way. So in addition to my foreign translations, I've begun rotating older titles in and out of KU. For a time I had the Dangerous Ground series, the Holmes and Moriarity series, the I Spy books, and some assorted standalones in KU. Those will all be pulled by December 10th and the only things still in KU will be Man Oh Man and the two collections of Christmas codas.

Financially? Well, the way it works now is most of my earnings come right at the start with preorders. That's a big chunk of change because my preorders remain high. And that's fortunate because it's very hard for anyone to stick on that bestseller list for long given the insane rate of turnover due to new titles. Most readers are shopping off the best-sellers list, and if they don't see your book on those first few pages, they're not going to keep scrolling--unless they're specifically searching for you. And now days there's just so much to read. So I usually have a good first month and then it's done. So in order to keep a few things on the lists so that I don't get completely forgotten, I made the decision to use KU when and where it makes sense.

The books I've pulled out will be updated and reformatted--and two of the series will get brand new
covers! LC Chase redesigned the Holmes and Moriarity series. I think these covers are SO fresh and SO fun--even though I loved those old covers so much. And then the Dangerous Ground series is getting a facelift too. Ron Perry at Ron Perry Graphic Design redid that series. Aren't these great?? I plan on a lot of repackaging my backlist next year.

I still haven't tried putting anything new straight into KU, but I'm trying something (at least I think I am--unless I chicken out) in January. I'm working on a new series--a classic cozy mystery series but with gay characters. I envision these as fun, fast light reads--I mean, that is the point of a cozy mystery. Off-screen violence, off-screen sex, hopefully funny, hopefully comforting, and a bit of slow-burn romance...just classic cozy mysteries but with a gay protagonist. Now the prevailing thought is that M/M readers will not be interested in such a series because of the no on-screen sex rule (yeah, it's a rule, not a guideline), and maybe that's true now. It didn't use to be but we do have an increasingly different readership for M/M fiction.

But as we all know--and to the frustration of some of you--I like experimenting, I like trying new things. It keeps the writing fresh for me--which pays off for all my readers, even the readers who don't like the experiments.

Oh, but to return to my point, the new series, Secrets and Scrabble, will be wide for the period of preorders (at a reduced price) and then it will go into Kindle Unlimited. I'm announcing this ahead of time so that everyone has time to buy it wide. I'm trying to minimize the frustration for all of us. If you don't do Kindle or if you're a re-reader, buy the book during the presale period so you can take advantage of the sale price. Having said that, they're not up for sale yet. :-D TBA

What else?

Blind Side (also not yet listed on Amazon) comes out in December. The sixth novella will complete the series. Also in December, Hide and Seek begins. That novel is a Patreon exclusive--and will probably remain so for some time (although I'm not sure about print--and I will probably put the audio wide). You can find out more about Hide and Seek on the Works in Progress section of my website.

This was one of my most productive years in a while, and I'm hoping that trend continues. I plan on it continuing--in fact, I plan on stepping up my productivity--but life is a precarious business, so you never can tell. I'm still thinking over the schedule, so I won't go into detail now (seeing that I don't have the details).

Hey, there's still PLENTY of room in the Advent Calendar if you'd like to contribute art or a story or whatever!  

I'm always interested in your thoughts. And I like to know what you're enjoying and what other authors are doing that you wish I'd consider doing. I've gotten some of my best ideas from listening to you guys! 

Friday, January 25, 2019

Happy Anniversary to My Patrons!

January 22nd marked my one year anniversary on Patreon.

I can't believe it's already been a year!

It's been a very interesting experiment so far. Well, I don't know if I can really call it an "experiment" at this point. Overall, I consider it a successful endeavor. Although growth is slower at this point, every month but one has seen a small uptick.

There has been a definite learning curve for me, and back in December I did an extensive overhaul of the tiers and rewards with an eye to making life easier for myself and for making sure patrons at every level got plenty of goodies. 

One of the things I struggle with is finding the right balance of quid quo pro. Patreon is not designed to be a marketplace. I'm not supposed to be running a store. The idea is patrons support the artistic endeavors of chosen creators with donations. It's, well, a form of charity. But of course for a lot of patrons it IS about the rewards at certain tiers, and that is simply the reality. And it's okay! It's a good reality. I want to provide rewards that my patrons enjoy. I want my patrons to feel like they are getting value from their donation. For some, that value is seeing my increased productivity and pleasure in the work. For others, it's access to exclusive content.

Either way, as the recipient of what is, largely, the kindness of strangers, I'm grateful.

There is no wrong way to be a patron (I mean, assuming you're following through on your pledges) and there is no wrong way to be a creator (again, assuming you're following through on your promises).

That said, Patreon is not for everyone. The pressure to provide extra content can be difficult--it's one reason why I changed my tiers so that most of my patrons receive all my regular releases as well as extras. There are some months when all my focus has to be on creating the products that I sell in the broad marketplace. And it's more than possible than some patrons will join expecting a different and more intense kind of personal interaction with me. There are months when I'm more chatty and active on Patreon--and there are months when I only have time to check-in and deliver whatever the rewards will be.

My patrons provide a safety net, but that safety net can't--and in my opinion shouldn't be intended--to take the place of regularly scheduled new releases to the wider marketplace.

I've seen complaints, criticisms of Patreon making the case that a paying model excludes certain readers from taking part. And this is true. In the same way that charging for books--or any art--excludes certain consumers. (My lowest reward tier begins at a dollar.) Critics of Patreon argue that the extras authors create for their patrons should be available to everyone for free.

I think this is missing the twin points of both patronage and what an extra actually is.  Besides which, I still provide extras for my readers who can't or don't want to take part in Patreon. I still blog, I'm still active on social media, I still do giveaways through my Facebook and Goodreads and Newsletter, and I still provide free content--for example the six codas that went into last year's Advent Calendar.

I don't particularly want to release my rough drafts or outlines or research notes into the wide world, but Patreon acts as a natural curator, and I'm comfortable sharing those extras there.

For me, the three greatest benefits of Patreon have been the financial cushion it provides on months I don't have a new release; the creative stimulus of having to come up with fun, new extras that actually serve to make my regular projects better (things like character interviews, for example); and, finally, the opportunity to occasionally brainstorm or just touch base with readers who have the greatest investment in me and my work. 

For patrons, the price of admission varies, but for creators, the end result is often priceless. 




Monday, November 19, 2018

Let Me Count the Ways

Today is Patreon's official Celebrate Your Patrons Day.


Creators were encouraged to find special ways to say thank you to their patrons. I made a bunch of little goofy videos to share on various social media platforms



AND I made sure to complete Seance on a Summer's Night on Saturday, so my patrons could enjoy it this weekend.

I've had my Patreon account for just about 11 months now. There are things I love about Patreon and things I don't love, but on the whole I would have to say it's been a great success.

We've never quite hit goal, but we've come within spitting distance several times. That's not really even the point though. Well, maybe I shouldn't say that because the money does absolutely matter. Most months I've folded it right back into my writing business so that I could invest in more product or better product, but once or twice it's been a lifesaver. Frankly, it will be a lifesaver this month because Amazon has been fooling around with the algorithms again and I've been hearing authors across the board talking about seeing anywhere from 30-40% decline in sales. Yikes! (I'm afraid to look at my numbers, to be honest.)

So thank you, Patrons, for the cold hard cash. It is much appreciated.

But what has proved even more valuable is something harder to define. My productivity is back (THANK GOD) but even more of a relief: my creativity is back. Tenfold. My confidence is back. Yes, part of that is getting healthy again. But part of it is simply the validation that comes from having readers willing to...invest in me.

That sounds wrong because all my readers are willing to invest in me, given that they buy all or most of my books. And I'm beyond appreciative of that. It's kind of the point of everything--not to mention how I pay my bills. The bills like my mortgage(s) and our health insurance (currently $1800. a month and going up to $2100 in January) and Marlowe the Mutt's bullystrips. The essentials. ;-)

But there is something inspiring--literally inspiring--having readers willing to chip in a little (sometimes a lot) extra simply out of a love of the stories and their own generosity. In fact, that's even something I struggle with a bit. I keep feeling that it needs to be quid pro quo, but Patreon is not designed for that. It is not intended to be a marketplace where goods and services are purchased.

Every single dollar I receive is a gift--and I receive and appreciate it in that spirit. No one has to donate a single extra cent to me EVER. So how can I be anything but grateful for having already received so much?

(I mean, I do certainly try to make the rewards worthwhile--I want people to be enticed by my wares--;-D, but my patrons are actually the ones who frequently remind me that I am not running a grocery store.)

Anyway, we're all figuring Patreon out in the age of subscription services, and it may be that Patreon will eventually evolve into a high end kind of subscription service. I'm just encouraged and energized by the process--and very grateful to everyone who has been part of it.

So this is me saying thank you to all my patrons, past and present--and even future. Even with all the uncertainty in publishing these days, I feel surprisingly calm. I'm excited, engaged, energized for what is to come in 2019--and each and every one of you is a big part of that.

Friday, July 6, 2018

Two Years Before the Mast

AKA Six Months on Patreon.

Happy Six Month Birthday to me and my Patrons!

Yes, I too was surprised to realize that I've now been on Patreon for six months.  (Which means, holy moly, we're halfway through the year!)

It seems like only a month or so ago that I came up with the idea. But no. Six months! So it seems like perhaps it's time for a progress report.

So far, so good. 

When I first posted about starting a Patreon, I got a lot of helpful feedback--and some of the things mentioned have proved true, and some have not. Or if they have, I've hopefully found a fix.

Providing exclusive and original content in addition to my books and stories is definitely time-consuming. Some of the content is readily provided: excerpts from works-in-progress, story notes, character notes, etc. Some of it requires more effort: character interviews, "missing" scenes, an exclusive-to-Patreon novel, exclusive audio, etc.

But what I've found is taking the time to do character interviews, for example, is really helpful as well as entertaining, so it's a good trade-off--versus simply writing a couple extra short stories a year (which I can still always do if I have to). Also it's hard not to be energized by a group that is so unfailingly supportive and enthusiastic. That's kind of priceless.

Unsurprisingly, it's been tougher during months when I'm already stressed. Like the last two months. But given the nature of Patreon--the purpose of such a community--I'm getting comfortable with letting patrons know this might be a skimpy month, but I'll make it up to them the next month.

As I was warned, there have been a couple of instances of people who pledge, enjoy the rewards at their tier, and then quit before their pledge is processed--only to rejoin the following month. That's been really rare, and as of this month I've changed my account so that people are charged when they join. That should take care of that--and it was, luckily, not a serious issue to begin with (although, it is a serious issue for a lot of creators, as I've learned hanging around the creator forum).

The question I'm always asked is are you actually earning anything? And it's a good question because apparently a lot of creators do not earn much at all. There are loads of really interesting articles on whether it's possible to earn a living on Patreon. Like here and here and here.  Basically that comes down to where you live and how many people you're supporting and in what style.

For the record, I can't earn a living on Patreon, but the monthly payouts act as a much needed safety cushion. If I  have to postpone a book--and (*&+!&^^%%$$$###@!) I have needed to do that with every single deadline this year--I can go ahead and know we're not going under because I need another month to make my book better. So right now my earnings go right back into my business, but I do earn enough to pay the mortgage if it came down to that.




That's huge. That is worth the price of admission right there.

On the maybe-not-so-great side, I spend less time interacting elsewhere on line. This was something people were concerned with, and it has unfortunately proven true. I'm less active on Goodreads, Facebook and this blog. (I was always terrible with my newsletter, so we can't blame that on Patreon.)

Now partly I think my lack of energy for social media is because this year has been a tricky year. A lot has gone on in my personal life and, maybe more to the point, I'm still struggling to catch up on all that over-committing I did last year. In Other Words... Murder is the final book with any deadline attached. After this, THANK GOD, I have no other deadlines.

(Well, that's not true. ARGH. I still have the deadline for Mr. and Mrs. Murder, but that isn't until mid-next year, so I think I'm fine. )

Also, though, I think every social venue has a life cycle and I've been on some of these places for nearly a decade, and it's reasonable that interaction might begin to wind down in certain places as it revs up in others. As much as I loved LiveJournal in its heyday, by the time I bowed out, it was no longer the same experience. Things change. We change. And that's actually great.

Other things: Amazon has not done anything in the past six months that affects me directly, but they've done plenty to affect Kindle Unlimited authors. And they're as autocratic and ruthless about is as ever.

Some of the problems Amazon is now trying to fix are of their own creation. Things like fake reviews...Amazon brought that on by making reviews part of their arcane algorithm and by making it so difficult for ordinary people to review: you can't "know" the author, for example, which includes having friended them on social media. Say what?!

It's like enriched white bread. Had you not taken everything nutritious out of the food to begin with, you wouldn't have to artificially inject it back in. 

Anyway. My dire predictions have not yet come to pass, but that doesn't change my feeling that I'm still too dependent on Amazon. Kindle Unlimited is making it harder and harder for the rest of us to have any visibility. Visibility is everything in this game.

(Okay, not everything. Writing still counts. Readership still counts. But it's a lot.)

Regardless of what happens with Amazon, my Patreon account is a big step away from feeling so entirely vulnerable to their every whim. Over these past six months I feel like I've begun to lay a foundation for a publishing future that doesn't involve me lying awake worrying about what Amazon might do next.










Friday, February 23, 2018

Exclusive to Patreon - Seance on a Summer's Night

I posted a few weeks back about my decision to start a Patreon account.

One of the things I'd really hoped for from building what has turned out to be part community and part super-fan club, is simply the energizing effect of interacting with truly engaged readers. This has turned out to be the case. It is energizing--and it's also inspirational in a way I didn't expect.

Anyway, one of the "rewards" I'm giving at the three dollar contribution level is access to an exclusive serialized novel called Seance on a Summer's Night.

It is a wacky tale of possession and murder and, well, male/male romance.

Here's the Blurb:

Theater critic Artemus Bancroft isn’t sure what to expect when his aunt summons him home to California with vague but urgent pleas about being unable to cope with “the situation.”

What the situation turns out to be is the apparent haunting of Green Lanterns Inn--and rumors that Auntie Halcyone may have murdered her philandering husband.

In fact, the rumors seem to have been started by the late Mr. Hyde himself—from beyond the grave. 

And here's a wee snippet of an excerpt:

I started down the brick walk leading to the lower garden but found the path ended in a tangle of weeds. Looking beyond, I saw that the maze, an intricate pattern of hedges covering an acre of ground, was as neglected as the rose garden. Good luck finding your way out of there now. The shrubs, which had always been clipped to geometrically precise forms and whimsical topiaries of deer and lions, were now unkempt blobs, the new leaves a pale, eerie green. The smooth velvet lawns that had rolled like a carpet down to the swimming pool were dotted with yellow dandelions.

What the hell was the excuse for this? Okay, Aunt H. and Liana were currently living like nuns, but what did their lack of social life have to do with the upkeep of the grounds?

I turned back toward the house, cutting through a break in the vegetation. Turning the corner, I spotted a man leaning on a hoe and staring intently at the house. He wore one of those brown felt Aussie hats, and though it was still early and cool in the shade, he was shirtless. Though his back was turned to me, I knew he was a stranger. Presumably the new gardener, who wasn’t afraid of ghosts. He had an exceptionally nice back—lean and lithe. Wide shoulders and narrow hips. What was he looking at so intently?

The gardener must have heard something because he turned suddenly, studying me with a hard, blue appraisal. Or maybe I imagined the hardness because the next instant he was smiling cheerfully.

“Hey there. Lose your way through the woods?” He was about my age, his voice friendly.

That broad white grin was hard to resist, like stepping into sunlight after miles of deep shade. My spirits rose for the first time since my return to Green Lanterns.

“Nope. I’m Artemus Bancroft, Mrs. Hyde’s nephew.”

“Ah.” He cocked his head, his gaze quizzical. Really, his front was just as appealing as his back. In fact, he was unexpectedly good-looking in a rugged, dirt-under-the-fingernails way. His eyes gleamed in his sunburned face. His dark stubble looked almost fashionable. “Right. Ulyanna said something about you visiting. Well, I’m Cassidy, the head—and so far only—gardener.”

“Nice to meet you, Cassidy.”

To be honest, he was not like any gardener I’d ever met before. A feeling reinforced as he reached automatically to shake hands but then realized his were stained with mud. Not that I’m a big believer in the Upstairs Downstairs paradigm, but I’d never known one of the gardeners to try and shake hands before. I stared at his hand. His fingers were long and slender, his palm newly blistered.
“I was weeding the dahlias,” he said. 


I glanced down at his feet. He wore boots, which were firmly planted in the midst of a clump of the flowers he had been weeding. “Those aren’t dahlias,” I said. “They’re begonias.”

His brows knitted. He gazed down at the flowers, then offered that grin again. He probably got a lot of mileage from that expression. “You say potato, I say potahto.”

“Oh? Because it seemed like you were saying tomato,” I retorted.

He laughed. “They should have told me you were a horticulturist.”

“Nope, just a regular subscriber to House and Garden.”

“Gotcha.” He continued to smile at me. “What is it you do, then?”

Again, I couldn’t ever recall a gardener—or any employee at Green Lanterns—asking me what I did for a living. It wasn’t that I minded him talking to me like a peer—he was a peer, if we were going to get philosophical about it—but it also wasn’t typical behavior.

“Theater critic.”

His brows rose. “You don’t say.”

“Sure I do.” I had the funniest feeling he’d already known what I did for a living before I answered.
He continued to give me that direct blue stare. Not just direct. Admiring. It had been a while since anyone looked at me like that. And while I can’t say I minded, this too was kind of odd coming from the new gardener.

“So you’re out here taking your morning constitutional?” he inquired. There was a little edge of mockery in his tone.

I responded in the same tone, “Surveying my domain.”

“It’s Mrs. Hyde’s domain, isn’t it?”

“True.”

“Your aunt’s a late sleeper, is she?”

“Not really. She didn’t use to be.”

“And the other lady. Mrs. Hyde-Kent? On the eccentric side, I’ve heard.”

Yeah, not like any gardener I’d ever met.

“Where did you hear that?” I inquired.

He shrugged. “Holds séances, doesn’t she?”

I stared back at him. Said nothing.

His eyes flickered. “Well, duty calls.” He lifted his hat in a parody of servility. I wouldn’t have been surprised if he’d tugged on his forelock. Assuming he had one under that wide brim.

“Uh-huh,” I said.

His eyes continued to search mine, and disconcertingly, I saw a smile lurking in those blue depths.

“I’ll see you around.”

My momentary irritation vanished. Rude, impertinent, odd, whatever, there was something inexplicably likable about Cassidy.

“Like it or not,” I said.

The smile was back. “I do like it,” he said.

I decided to get the last word by saying nothing.

As I went up the stairs to the front portico, I couldn’t help considering Cassidy. He was attractive, no question, but there was something…off about him. Kind of like his clothes. It wasn’t that they were wrong—although I’d never seen a gardener in one of those Akubras before—but they reminded me of a costume rather than work clothes. That was it. Something about Cassidy reminded me of an actor playing a part—and a slightly miscast actor at that.

Never mind not knowing the difference between a dahlia and a begonia. Shouldn’t a gardener, someone who worked day in and day out in the open, be a lot more weathered-looking? He was as sunburned as any frat boy on the first day of spring break. And surely, if he used garden tools over any length of time, his hands would have become hardened, calloused, stained. They weren’t. He had blisters.

The way he spoke too. Not just the choice of words. His very voice. He sounded, well, more educated than was usual in the gardeners I’d known through the years. And a hell of a lot nosier. Not just nosy—there had been a certain assumption of authority. Like he thought he had the right to ask questions. No, not even that he thought he had the right, because no thought was involved; he simply took it for granted he had the right.

Interesting.


And strange.



You can start reading the first two chapters when you subscribe through my Patreon page here.

Friday, January 26, 2018

Taking it to the People

Hey, I didn't know they had laptops back then!!
Of all public figures and benefactors of mankind, no one is loved by history more than the literary patron. The patron creates 'literature through altruism,' something not even the greatest genius can do with a pen. 
Roman Payne




A couple of years back I did a post on writers using Patreon. Or, more exactly, I asked readers what they thought about writers using Patreon. My own feelings were mixed. Okay, honestly? My own feelings were biased. Though logic told me reader patronage was probably the wave of the future, I just couldn't help feeling that professional writers ought to be able to support themselves off their writing. Wasn't it an admission of failure to have to ask for sponsorship?

Some 50+ reader comments opened my eyes. Not only was reader patronage a tiny bit of a safety net for what has always been a precarious profession, developing, nurturing a community of your most invested fans offered the chance to build an incredible resource.

Since then, I've watched with interest as other authors moved to the Patreon model. Some were more successful than others, but that's true of everything in life. A lot of my initial concerns: the pressure of creating tons of new stuff on a tight schedule, undue influence from a select group of readers, other readers feeling left out or cheated don't seem to be issues for most of the successful artists I follow.

There are some really interesting--in fact, inspirational--Patreon accounts here -- though they're not writers:

https://blog.patreon.com/nataly-dawn-patronage/

https://www.patreon.com/amandapalmer

There seems to be a danger with really successful Patreon writers starting to focus all their energy on their Patreon accounts, and I don't want to do that. I don't want to deny my regular readers all the things I typically give them either (the Advent Calendar, for example) and regular book releases across all publishing platforms.

There are also a lot of completely ignored or all but abandoned Patreon writer accounts--writers may be one of the smallest creator groups on Patreon--so that's not encouraging.

But yes, you guessed it. I'm starting a Patreon account.

WHY?

(I can hear you all the way over here.)


I'll be happy to explain.


Partly it's about breaking the stranglehold Amazon has on nearly all of us these days. Currently seventy percent of all books are sold through Amazon. That's...worrying. On a personal level, eighty percent of my sales currently come from Amazon or an Amazon-owned affiliate like Audible or Createspace. This total dependency is both frightening and frustrating--for a lot of reasons. Amazon controls everything: visibility, pricing, distribution, who is permitted to review my work, and whether or not I'm allowed to do preorders. They control my royalty rate; if I'm willing to be exclusive to Amazon, I get a higher rate on many foreign distributors. If I refuse to give exclusive rights (and I do), I pay for it with lessened visibility and lower royalties.

Amazon controls both my creative output and how I'm allowed to interact with my customer base.

It gets worse.

Remember how when Amazon swallowed up Audible and dropped the royalty rate from 50-90% to a flat 40%? Well, a few weeks ago Amazon "mistakenly" posted a revised royalty schedule for authors that indicated some authors would be seeing a twenty percent reduction in the royalties they're paid monthly. This unplanned reveal on Amazon's part brought home to me how really vulnerable my position as a freelance artist is. I didn't sleep that night. Or even the following night--despite reassurances from Amazon that the posted royalty rates were just a mistake (that was a whole lot of website coding to have happened by mistake).

Make no mistake, Amazon is about to change the publishing paradigm yet again--and I don't believe this change will be driven by doing what's best for authors or literature.

But my decision to set up a Patreon account isn't just about Amazon. The main reason is to give myself some breathing room. Again and again the pressure to produce something ANYTHING by a certain date has resulted in juggling projects or paring down the original scope of a work or not writing things at all because I know they won't be as lucrative as something else. This publishing environment is NOT conducive to producing the best work. It's also not conducive to a healthy and creative life.
Healthy and creative life in progress

I'm fortunate in that I actually am able to earn my living through my writing--I don't forget that for a moment--but it's not a steady income and there's absolutely no safety net for those periods when I'm ill or running behind schedule. I'm afraid to commit to hiring a full-time assistant. I don't dare take extra time for long-dreamed-of projects like a video series on writing male/male mystery. I can't do anything but write...and when I fall behind in the writing (which has been the situation for the last two years) I feel paralyzed, overwhelmed... sometimes even unable to write.

My goal in setting up a Patreon account is to take back control of my creative life. I've tried to come up with a lot of hopefully very cool rewards for every level of patronage--stuff that would be fun for you but also useful for me in crafting stories or in my marketing campaigns--but the real return on your investment is more and better books from me.

I believe we share the same ultimate goal.

To find out more, check out my Patreon page here.