Showing posts with label the boy with the painful tattoo. Show all posts
Showing posts with label the boy with the painful tattoo. Show all posts

Friday, October 3, 2014

New Release - THE BOY WITH THE PAINFUL TATTOO

Okay, yes. I am being a little premature, but we're so close! Sunday morning you should all be waking up to the antics and adventures of Kit Holmes and his long-suffering lover J.X. Moriarity.


Someone was asking me if I can tell in advance whether a book is going to be a success. That's an interesting question. For one thing, it depends on how you define success. All my books sell well (relatively speaking), but that's not really how I consider whether a book is successful. Well, no. I mean, that's obviously a factor! They have to sell well, definitely. But what I can't predict is how I'm going to feel about a book once I'm done with it. And even harder to predict is how readers will feel about it. Sometimes my pleasure in a book will coincide with how readers respond, but even so there will be surprises. Someone who I was confident would love a particular story ends up finding it same-old same-old. Or someone who I thought would find a story disappointing, ends up loving it. The never knowing for sure keeps it exciting, I guess.


Anyway, I'm feeling good about this one, but that could be my own crazy sense of humor. I laughed a lot writing this book. I am smiling right now thinking of certain scenes. If you like the characters, I'm quite sure you'll like this book. (And if you don't like the characters, save your pennies because this one is going to annoy you even more than the last two.)


Anyway, that's it. The work is done and now the book must stand or fall on its own merits. I reach out from the bank and shove my paper sailboat into the current, and away it goes down the river...




BLURB:


It’s moving day at Chez Holmes.


Somehow, against Kit’s better instincts, he and J.X. are setting up house together. But while J.X. is off at a mystery fiction convention, Kit unpacks a crate that should contain old china.
It doesn’t.


Within the mounds of Styrofoam popcorn is a dead body.


A very dead body.


There goes the neighborhood.




EXCERPT:


“Yoo-hoo! YOO-HOO!”


Knock. Knock. Knock.


Could she see us? I wasn’t sure. Luckily we were under the blankets. Still.


The knocking was now coming from one of the large bay windows along the side of the house. Through the filmy window sheers, I could see the tip top of one of those broad, straw coolie hats some elderly folks—and outright eccentrics—use for gardening.


Mid-scramble for our clothes, J.X. and I exchanged horrified glances. He looked so stricken that I started to laugh, even as I dragged my jeans on.


“Who the hell is that?” J.X. protested again, which struck me as still funnier.


“Welcome Wagon?”


“No way.” He said doubtfully, “You think?”


“Well…no.” I climbed awkwardly—it’s not easy to go from pleasurable arousal to alarmed action in thirty seconds flat—over one of the many crates marked books. I half tripped over a rolled Persian carpet, clattered into a set of fireplace rack and accessories, and finally stumbled over to the window seat. I struggled with the catch on the window and managed to raise the sash a foot or so.


The spring morning scents of honeysuckle and freshly mown grass wafted in.


I saw a small person of indeterminate sex, dressed in baggy clothes. At first glance it appeared that one of the garden gnomes from next door had come to life. And had something to say about it.


“Good morning!” the gnome greeted me. She had one of those fluting, high voices that brought to mind Sunday school teachers and curators at the most macabre exhibits at the Tower of London. A voice like an ice pick through your left eye socket. “Welcome to the neighborhood. So sorry to disturb you on your first morning, but the movers must have broken one of the sprinkler heads along your front walk.”


“Oh. Uh…okay.”


As I seemed to be missing the point, she said kindly, “Water is shooting up like a geyser out there. There’s a drought going on, you know.”


She was probably in her sixties, but unlike my former mentor Anna Hitchcock, no effort here had been made to stave off the ravages of time. Not that she looked ravaged. Beneath the wide brim of her hat I could just make out twinkling blue eyes in a round and rosy face.


“Hell,” I said. “Okay. Thanks for letting us know.” Not twenty-four hours in the new place and it was already falling down around our ears. I hate to say I told you so—well, no. Actually, I kind of like to say I told you so. I couldn’t wait to tell J.X. I told you so!


She offered a small but capable hand. “Emmaline Bloodworth. I’m on your left.”


Proof of my distraction, I actually glanced to my left. “You are? Are you?”


“I live in the house to your left.” She was still offering a doll-sized hand, and I leaned down to take it. She shook hands firmly.


“Christopher Holmes.” I released her, started to retreat, but by then J.X. was behind me so I backed my ass firmly into his crotch, which pretty much illustrated the current state of affairs at #321 Chestnut Lane...




Buy it here:
Smashwords
Amazon
Kobo
B&N
iTunes


Print


(The book will also be available in audio about mid-November.)




AND do not miss the launch parties taking place on Goodreads and my Facebook fan page! There is a veritable treasure trove of goodies and gifties being given away.

Sunday, September 14, 2014

As I was saying...

I was plummeting toward the finish line of THE BOY WITH THE PAINFUL TATTOO last week, and found myself unable to stop the train long enough to come up with a blog. That's actually what it feels like once you reach those final chapters. Like you would have to jump in front of a speeding train, Superman style -- to try and slow -- let alone stop -- that hurtle towards completion (or annihilation -- I can never tell at this point).

Anyway, the manuscript has gone to its final round of edits. There is still a bit of tidying up to do -- I woke up this morning and remembered I'd left out a conversation between Kit and J.X. -- and I skimped one of the sex scenes because the important thing that happens there is their dialog, but still! It's not JUST the dialog!

So now I have a couple of days to frantically try and catch up the last month and a half ton of email I've basically just had to ignore.  So much to catch up on. Oh! But I want to share this bit of good news for those who don't follow Goodreads, Facebook or Twitter. Kevin R. Free has signed on again to do the 3rd H&M book. The audio for BWTPT should be out about mid-November. If everything stays on track.

And also BWTPT will be regularly priced at $6.99. It's 72Kish in length. A full novel. But if you preorder you get it at $4.99. So...you decide.

Meanwhile, I was looking for some good writing quotes this morning, and I came across this one by Chandler, who I love. I love him because he drank too much and he was irascible and he was brilliant. He shaped his genre. I like that in  a writer.

I don't entirely agree with this though:

Technique alone is never enough. You have to have passion. Technique alone is just an embroidered potholder… The moment a man begins to talk about technique that’s proof that he is fresh out of ideas.

I mean, yes. True. We see it all the time in zee brave new world of publishing. Writers who have been published all of fifteen minutes blogging earnestly about the use of adjectives or whatever. Lord God in heaven grant us mercy.  I don't know that it's that they're out of ideas, exactly, so much as they don't know what else to talk about. And they are shy about talking to readers, so they focus on their fellow writers. Also given the diary-like nature of blogging, a lot of this is just figuring out for themselves the kind of writer they want to be when they grow up.

I like talking about craft and technique, but I also recognize in myself the fanatic. And I also know that style is a wonderful thing, but story is ultimately what matters to readers. You can be successful without style. But you cannot be successful without story.

And that's this week's thought.

Friday, August 22, 2014

Boy With the Painful Tattoo SNEAK PEEK

Writing fiction is a strange and mysterious thing -- even to those of us who earn our living from it. With non-fiction there are always facts. Facts are your starting point. They are your flimsy raft in the dark and rolling seas. In the mountains of Peru... X.  Or I did not like this book because... X. The non-fiction writer grabs onto X and rides out the tide.

The fiction writer has no such life preserver. It begins with a blank page. BLANK. Nothing. And from this nothingness we must somehow create believable characters living out a story readers -- a goodly number -- care about.

You have to be a writer of fiction to truly understand how very difficult this is. In fact, there are times it seems impossible. (Which is why, when some dumbass says, Oh, you got Street X in town X wrong we should all be thankful writers do not have lightning bolts at their disposal. REALLY? Street X in town X was the focus of the fucking -- er, darned -- book for you???!!!)

But I digress.

I am especially conscious of both the delicacy and sheer power of this creative act -- the ability to write fiction -- as I work on The Boy With the Painful Tattoo. Because however long you stall, however much you prepare, ultimately it comes down to you and a blank page.

You search for the first line. What will it be? How does this journey begin?


“Come with me, Kit,” J.X. urged.
 
That's how this particular journey begins, but no two journeys are the same.

So today, as you may have gathered, I am sharing a snippet of The Boy With the Painful Tattoo. The release date is October 5th, and ready or not, that's what's happening. The truth is, I am never ready to write anything. How can you prepare for that terrifying blankness when you let go and let yourself fall?

It doesn't work like that. Oh, I prepare, yes. I research, I study, I do my prep. Ultimately the writer has to let go and trust to whatever it is that makes stories happen. The subconscious? No, writing is definitely a conscious and fully informed process. And yet it is also being spirited away by the momentum of the story. Letting the story unfold, letting the characters speak -- and act.

Anyway, because this particular story begins with -- Whaaaaa???? -- sex, we must skip ahead for our excerpt.

 
I heard it then too. A businesslike rapping on the picture windows a few feet from us. A female voice yoo-hooing.

“Yoo-hoo! YOO-HOO!”

Knock. Knock. Knock.

The knocking was coming from one of the large bay windows along the side of the house. I could see a small person of indeterminate sex dressed in baggy clothes and one of those broad, straw coolie hats some elderly folks -- and outright eccentrics -- use for gardening. At first glance it appeared that one of the garden gnomes from next door had come to life. And had something to say about it.

Mid-scramble for our clothes, J.X. and I exchanged horrified glances. He looked so stricken that I started to laugh, even as I dragged my jeans on.

“Who the hell is that?” J.X. protested again, which struck me as still funnier.

“Welcome Wagon?”

“No way.” He said doubtfully, “You think?”

“Well…no.” I climbed awkwardly -- it’s not easy to go from pleasurable arousal to alarmed action in thirty seconds flat -- over one of the many crates marked books. I half tripped over a rolled Persian carpet, clattered into a set of fireplace rack and accessories, and finally stumbled over to the window seat. I struggled with the catch on the window and managed to raise the sash a foot or so.

The spring morning scents of honeysuckle and freshly mown grass wafted in.

“Good morning!” the gnome greeted me. She had one of those fluting, high voices that brought to mind Sunday school teachers and curators at the most macabre exhibits at the Tower of London. A voice like an ice pick through your left eye socket. “Welcome to the neighborhood. So sorry to disturb you on your first morning, but the movers must have broken one of the sprinkler heads along your front walk.”

“Oh. Uh…okay.”

As I seemed to be missing the point, she said kindly, “Water is shooting up like a geyser out there.”

She was probably in her sixties, but unlike my former mentor Anna Hitchcock, no effort here had been made to stave off the ravages of time. Not that she looked ravaged. Beneath the wide brim of her hat I could just make out twinkling blue eyes in a round and rosy face.

“Hell,” I said. “Okay. Thanks for letting us know.” Not twenty-four hours in the new place and it was already falling down around our ears. I hate to say I told you so --well, no. Actually, I kind of like to say I told you so. I couldn’t wait to tell J.X. I told you so!

She offered a small but capable hand. “Emmaline Bloodworth. I’m on your left.”

 Proof of my distraction, I actually glanced to my left. “You are? Are you?”

“I live in the house to your left.” She was still offering a doll-sized hand, and I leaned down to take it. She shook hands firmly.

“Christopher Holmes.” I released her, started to retreat, but by then J.X. was behind me so I backed my ass firmly into his crotch, which pretty much illustrated the current state of affairs in #321 Chestnut Lane.

“Ooof,” J.X. steadied us both with his hands on my hips.

The most alarming part was my body’s instinctive reaction to the feel of his still-partial erection through both his jeans and my own. That level of awareness, of desire, of -- oh God -- of need was not normal, not natural. Not for me.

“Hello there,” Emmaline greeted him. “We keep missing each other, but I’ve seen you coming and going this past week.”

More going than coming. I didn’t say that, obviously.

J.X. joined me in the open window and shook hands with Emmaline. “J.X. Moriarity. Kit and I are --”

“We’ve got a broken sprinkler,” I interrupted.

“I heard. I’ll take a look.”

“No. You’ve got a plane to catch. I’ll deal with it. But before I turn off the water, were you going to take a shower?”

J.X. looked over his shoulder for a clock that was not there. He felt around his jeans pockets for his phone. Also not there.

Emmaline checked her wristwatch. “It’s nine forty-five.”

J.X. sucked in a breath. “I guess I’m not showering. Good thing it’s a short flight.”

“I can show you where to turn off the water,” Emmaline told me.

“Thanks. I’ll meet you out front.”

J.X. caught my arm as I moved away from the open window. “What if I throw some things in a bag for you? It’s just for the weekend. We can deal with this crap when we get back.”

“Now you’re talking crazy,” I scoffed. “If anything, this should indicate why we can’t both take off in the middle of moving in together.” I was smiling because he had to know I was right. I now had an excellent, irrefutable reason for not going with him. I pushed him toward the doorway and the curving, walnut staircase beyond. “Don’t miss that plane.”

He didn’t like it, but he didn’t have a choice. The clock was ticking. Somewhere. In a box we couldn’t find.

J.X. pounded up the stairs and I veered left and went out the carved walnut and glass double doors to the Corinthian porch.

The beauty of the front yard caught me by surprise. I’d been too tired to notice more than shadows and shapes when I’d arrived late the night before. Red brick walkways and short walls -- not counting the twelve foot vine-covered structure dividing our property from the house on the right -- coiled their way through low hedges and sculptured ornamental trees. The weathered stone and elegant greenery created a lush and pristine setting for the Victorian-Italianate house, set discreetly back from the street.

A nice neighborhood to have bad habits in, as Chandler would have said.

Emmaline unlatched the ornate iron gate and came through. “The main water shutoff valve is in the right over here, by the little cherry tree.”

“Hell. Heck. I don’t have a wat--” I broke off as she held up a long, steel valve control key. “Oh. Great.”

“This way. Come along, Christopher.” She bustled away down the brick path. I obediently followed in her wake. A butterfly swooped languidly past my nose, as though hired by the homeowner association to add ambiance. Did we have a homeowner association? I didn’t know. J.X. had pretty much been the driving force behind all this.

We found the water main, I pried the metal lid up, and Emmaline handed me the key like a good scrub nurse delivering the scalpel to the surgeon. I turned the meter valve counterclockwise. “I’ll pick up a couple of replacement sprinkler heads this morning.” 

“It’s going to be nice having young people in the neighborhood again,” Emmaline said as I finished turning off the water.

At forty, I didn’t exactly think of myself as “young people,” but everything is relative I guess. I handed Emmaline the valve key back, and replaced the metal plate. I wiped my hands on my jeans and stood up.

Emmaline was filling me in on the other residents of Chestnut Lane. The Tunnys -- “twin brothers and old codgers,” according to our neighbor lady -- lived to the right of us behind that formidable wall. Codgers they might be, but the wall almost certainly predated them. The Salvatierras lived across the street to the left of the walk-down parking lot. The house to their left was currently empty but not for sale. The house to the right of the parking level was owned by Mr. Lemon. Mr. Lemon was a retired history professor.

“Ah,” I said. I knew I should probably be paying closer attention to the Who’s Who. These people were going to be my neighbors for the next however long I -- we -- lived here, but somehow I felt more like a house-sitter than a new homeowner. 

“Now don’t hesitate to call on me, if you need anything,” Emmaline said. “I hope you’ll be very happy here.”

I bade her adieu and headed for the black front steps of the stately porch. Sunlight gilded the sage-green balustrade and pillars, tipped the leaves of the hedges and flowering vines in gold. Honeysuckle grew in profusion everywhere, the sweet scent perfuming the warm morning.

Emmaline called something I couldn’t make out. I smiled, waved, and went through my new front doors.

Strangely, the house smelled both new and empty. Strangely because the place had been built in 1904 and was currently stacked to its skylight in boxes and two households’ worth of furnishings. From upstairs, I could hear footsteps walking back and forth. I listened for a moment then crossed the dark hardwood floor of the foyer and poked my head in the living room.

 This was a large room painted a satiny, cheerful yellow with creamy decorative crown molding and corner pieces. The marble fireplace, one of four, was original to the house, as were the intricate etched glass and brass chandeliers. The house had lots of these beautiful little touches, from the tall pocket doors to the hand painted tiles in the bath and kitchen. And for three million dollars, there ought to be some beautiful little touches. I studied the stacks of boxes and furniture that had yet to be assigned their place in the new world order. I stared at the mattress before the fireplace. It was a mess of blankets and sheets. The blankets and blue and white sheets were J.X.’s. The mattress was mine. It was destined for the guest room upstairs. We had agreed -- or rather, I had agreed to J.X.’s suggestion that we start off fresh with a new bed and new mattress. They were supposed to be delivered that afternoon -- another reason why someone had to stay here.  We couldn’t both go gallivanting off to parts unknown.

Or even parts known.

I found my way to the kitchen--remodeled but still retaining vintage charm with the black and white parquet floors, beadboard cabinets, and hand painted ceramic tile backsplash. I saw that J.X. had found and plugged in his coffee maker. I made coffee and idly opened a few boxes, looked inside, and let the flaps fall closed again. Between the two of us there was a hell of a lot of junk here. And somehow when viewed inside a cardboard box, all my worldly possessions did look like junk.

More heavy footsteps overhead. What the hell was he doing up there? Pacing the floor?

I went over to the fridge -- J.X.’s was newer and bigger (some things never changed) so mine had been relegated to the basement -- and I wasn’t sure if I was relieved or not to see he hadn’t had time to do much more than pick up a carton of milk and a container of eggs.

He’d ordered Chinese takeout the night before, but I’d arrived too late and too tired for food. I was hungry now, but there wasn’t time to fix something before J.X. left, and somehow it seemed rude to start cooking breakfast he couldn’t eat.

How long before I stopped second-guessing my every impulse? Before I stopped feeling like a guest? Before I stopped --

No. Don’t go there.

I wasn’t regretting anything.

Anyway, it was too soon to know if I had anything to regret.

J.X. pounded down the staircase and breezed into the kitchen. He wore jeans and one of his ubiquitous white tailored shirts. Spotting the percolating coffee, he fell upon it like the wolf upon the fold. Or the wolf upon the barista. “Thank. God.” He found his mug in the sink, turned on the taps to rinse it, and of course there was a choking sound from the faucet which spit out a trickle of water. 

“Here.” I unwrapped a mug from the half-unpacked box on the counter and handed it across.

“Thanks.” He poured in coffee, and glanced at me. “It doesn’t feel right leaving you to deal with all this.”

“It’s not a problem. I’m looking forward to exploring everything on m--”

“On your own?” he asked wryly.

I laughed. “It would be more fun with you.”

“It’s just a couple of days. I’ll be home Monday night.”

The phone rang forestalling my reply.

“Well, something works anyway,” J.X. said as I went to answer it.

“You want me to drive you to the airport?”

He shook his head. “I’ll take my car.”

I picked the phone up. “Hello?”

“Christopher,” came the not-so-dulcet, semi-British tones of my agent, Rachel. “You made it!”

“Don’t sound so surprised.”

“I didn’t think you’d go through with it.”

“Ha.” I winked at J.X.  I’m not really much of a winker, so it had the reverse intended effect of making him pay closer attention. He sipped his coffee, watching me over the rim of the earthenware mug.

“Have you changed your mind about the conference?”

“What in our previous acquaintanceship would lead you to believe I’d change my mind about that?”

“The fact that you’re speaking to me from San Francisco.”

“Aside from that.”

“Christopher, your career is in a delicately balanced position right now.”

I couldn’t hide my weariness. It leaked out in a long sigh. “When is it not?”

“You can’t afford to go off the grid again. We have to talk, really talk about your future, and it makes sense to do it at the conference.”

“Probably not. Since I won’t be there.”

She made an exasperated sound. I get that a lot from the women in my life. Not that there are a lot of women in my life.

“This is no time for a midlife crisis.”

“I agree. That was so last year.”

“Christopher! I’ve had an idea…” she burbled on, but half my attention was on J.X. who set his coffee cup in the sink and came over to me.

He said quietly, “Honey, I’ve got to go.”

I nodded politely, which was not the right response, as I could tell from the way his brows drew together. He leaned in, and I leaned in, and somehow the phone was in the way -- where did all that cord come from? -- our mouths latched on -- mostly. It was a fleeting kiss, tasting of coffee and toothpaste on his end, and coffee and exasperation on mine.

“I’ll call you when I get to the hotel,” he whispered.

“…dragon tattoo,” Rachel said.

“I am not getting a tattoo,” I said. “I’m still paying for that damn wardrobe you made me buy.” I nodded enthusiastically to J.X. so he could see I was listening to him.

“Have you heard a word I said?” Rachel demanded.

“I love you,” J.X. said.

“I heard you,” I said shortly.

Rachel’s silence and J.X.’s expression seemed equally taken aback.

“Love you too,” I said hastily to J.X.  

He smiled uncertainly. My smile was equally doubtful.

“Christopher?” Rachel inquired. “Are you still there? Christopher?”

“I’m here,” I said automatically, as J.X. raised his hand in a final farewell and disappeared into the hall.

A few moments later, and from what felt like a long way away, I heard the front door close. This was followed by the distinct sound of a key turning in the lock.

So much for milestones and relationship markers. Love you too.

Love. You. Too.

Somehow I had intended the first time I managed to say the words to J.X. to be a little more… meaningful.

 


You can preorder from this page. And I hope you will do so.

Friday, August 1, 2014

The Way it Was


What a great -- if weird -- week.

 

I finished off Fair Play last Thursday, and then I had about a week to catch up pretty much everything before I dive back into Boy With the Painful Tattoo this Monday. I am very eager to get back to Kit. When I left him, life was falling down around his ears as usual.

 

J.X. phoned.

“Hey, how’s it going?”

“It’s good. The sprinkler is repaired and I’m unpacking…everything. How was your flight?”

“I spent longer getting through security than in the air. Did you have trouble…” His voice seemed to dip and then I heard female laughter and noise in the background. J.X. said distantly, “Very funny, give me my phone, Samantha.”

Ah yes. Conferences. Networking. Socializing. Shenanigans. And more shenanigans. Shenanigans were how J.X. and I had met.

His voice came back on, loud and clear. “Sorry about that. Kit, I got a call from Nina. She sounded upset but I couldn’t understand what the problem was. I was thinking maybe if you went over there?”

“If I went over there…where? What? Where there are you talking about?”

“To Nina’s house. To see her. To see her and Gage.”

Nina was J.X.’s ex-wife. Gage was his nephew. J.X. had married Nina, his younger brother’s pregnant girlfriend, after Alex died in Iraq. He had done this for the sake of his very conservative family and her equally conservative family and the unborn kid. It was noble in a soap-opera-ish way, but it wasn’t the kind of nobility that I understood or approved of.

Also, though the gesture had been quixotic and J.X.’s feelings for Nina were platonic, the one time I’d met her -- over Christmas turkey -- had convinced me that Nina’s feelings were not so clear cut. Maybe not clear cut at all. She didn’t like me. J.X.’s parents didn’t like me either. Possibly for the same reason. And the kid, Gage, disliked me with all his little heart.

“And I would do that…why?”

“Because I can’t and you’re family. And…”

“And what?”

“And this would be a good chance for you to get to know them.”

I laughed though it came out sounding more winded than amused. “I hope you’re kidding because there is no way in hell I’m going over there. They can’t stand me. None of your family can stand me, and the last thing Nina wants is your gay boyfriend showing up.”

J.X. made an exasperated sound. “Kit, you’re family now. That’s important. A lot more important than whatever it is you’re thinking at this moment. I know it’s inconvenient and maybe a little awkward, but it’s also a perfect opportunity.”

I cannot pretend this little speech of J.X.’s did not irk the living hell out of me. So much so that I actually couldn’t speak for a few seconds.

“Kit?”

I managed to swallow my anger before I choked to death. “Putting aside my thoughts -- and feelings -- for a second, I am up to my ears in boxes. Yours included. We’ve got the furniture company delivering the bed this afternoon. We’ve got the satellite dish people arriving any minute. There is no food in this fucking house. So whatever this unspecified emergency is with your ex --”

“She’s not my ex.”

“Yeah, actually she is. And if she can’t spell out what the problem is for you, it’s a good bet I can’t solve it for her. Even if I had the time -- or inclination -- which I don’t.”

There was a pause before J.X. said grimly, “That’s pretty blunt.”

“Not really. Blunt would be to point out that we’re not family. We’re living together. And it may or may not work out.”

I’m not sure what his response was -- I’m sure he had one. I’d never known him to let me have the last word. But I got it by default that time. I hung up.

Then I tottered over to the nearest stool -- J.X.’s contribution to our kitchen furnishings were tall bachelor pad bar stools of leather and steel -- before my knees gave out. I was shaking with a crazy rush of anger and adrenaline and alarm.

Also shame. I was too old to be hanging up on people like an angry and inarticulate teenager.

Not my finest hour. Or even my finest one and a half minutes. But this was what I had been afraid of from the first. That we were going to commit to this madness and it wasn’t going to work out.

 

 

So that’s right where I left Kit about eight weeks ago.

 

I wanted, needed to make every minute of this break count because when I am writing everything else falls by the wayside: email, promotion, laundry, groceries…showering. Okay, I probably should not have admitted that last one.

 

It turned out to be a hugely productive break. I think I got more done in six days than I’d managed in six months. Anyway, I forget why, but I started sorting through boxes of old floppy disks. Originally I used to handwrite everything, and then when I learned to write directly to a PC, I used to print everything out (there went a forest or two), but eventually I got to the point when I used to write and save files on floppy disks alone. So boxes of disks -- apparently every revision got its own disk. There were all kinds of stories I’d forgotten about: the ubiquitous 3 - 7 chapters of various abandoned projects. I used to “get bored” with a story (meaning I’d hit the part where actual work was required) and drop it for the next brilliant idea. Even after I was a successfully published writer I still used to do that, which is so bizarre to me now. That lack of discipline.

 

But then I wasn’t trying to earn a living at writing. I could afford to abandon six out of every seven projects.

 

There was some very interesting stuff there, though I don’t know whether I’ll do anything with it. Then yesterday, someone was asking whether I’d ever blogged on Show vs. Tell. I was sure I had, but I went skimming through my old LiveJournal posts, and I didn’t spot anything. What I did notice was how much more time I used to have to blog and chat.

 

Those were enjoyable days -- chatting with readers and other writers about writing and books and publishing -- and whatever else caught my attention. It wasn’t merely the amount of free time I had to visit, it was also the amount of time I had to write thoughtful and reflective posts. I still blog and I still spend a lot of time interacting and chatting with readers, but I could see the difference.

 

This isn’t a bemoaning of the good old days. Everything changes and this seems to be a common pattern for writers. We extensively journal our initial experiences and our first literary forays -- look, I just invented the wheel!!! --  but then, if our careers take off, we get too busy writing to manage much more than brief but regular check-ins.

 

I don’t read the same way I used to either. It’s much harder for me to get through a book now days. It’s very hard to turn my writer brain off, so while I am trying to sink into the story, I am also considering how the writer is handling various elements -- versus how I would handle these elements. It’s easier with vintage stories for some reason, easier to turn off my analytical brain and just read like I used to.

 

Anyway, I have no idea what all this is in aid of. It’s not just me changing, LiveJournal has changed too. It’s not the vibrant, active community it once was. It’s interesting because we tend to believe that however things are at any given moment, is how they will always be. And yet we have plenty of evidence to the contrary. So often change is incremental, so we don't notice until we look back.