Showing posts with label I Spy. Show all posts
Showing posts with label I Spy. Show all posts

Saturday, December 19, 2020

Advent Calendar Day 19

 




SIX DAYS UNTIL CHRISTMAS!!!!! 

Something so lovely for you today. We have fiction from Sarah featuring two of my favorite characters from way back when: Stephen and Mark from the I Spy trilogy. 



The press of a pair of lips, the touch of a hand on his shoulder and the tinkling notes of the cafĂ© doorbell lingered for a few moments after Mark had left. Stephen poured himself another cup from the pot, added milk and stirred idly. He smiled. A cup of tea, in an old teashop in Cambridge, England (though of course here it was just ‘Cambridge’), it was all so perfect. It was the first time they’d separated since their arrival in Britain a week ago. They’d done everything together: a West End Theatre, the National Gallery, both Tate Galleries, the British Museum, the walking tour of Dickens’ London, the kingsize bed in the hotel… Mark hadn’t minded playing tourist as he’d barely spent any time in London. Cambridge was a different matter; it had been home to Mark for three formative years. He’d been here when his great uncle  - his last close relative - had died, and here when he was recruited by the Old Man. As he lifted the cup from the saucer, Stephen’s lips tightened in a little grimace at the thought of that particular gentleman. Mark had now departed to visit an old tutor, one of only a handful of people with whom he’d remained in touch. Stephen had a couple of hours to explore the old university city until they were to meet up, before taking the train back to London. Tomorrow he and Mark would be flying back overnight to Virginia, arriving on Christmas Eve.

 

Buttoning up his overcoat, he made his way along the narrow street. The Michaelmas Term


was over; the students had gone and school-aged children were out with their parents, buying last-minute presents. Following Mark’s advice, he walked across the Cam by Queen’s College and then into the park known as The Backs. From there, the colleges looked magnificent, each framed against the crisp, blue winter sky. Stephen’s thoughts slipped from architecture and history to Mark. Throughout their relationship, theyd really only ever been together on Stephens home ground - his house, his country. Here before him was a glimpse into Mark’s past. He stood for a long while, lost in thought.

 

At Cambridge Mark had excelled and he’d looked set to become an academic, but then he’d been lured away by the promise of belonging to an elite, risk-taking group by the Old Man. Stephen thought of the young undergraduate with no family or home, and he understood that in addition to the attractions of secrecy and danger, Mark had been driven by loneliness and a desire to belong. A young man who was scared to let himself be loved. He’d never forgotten Mark asking if he could come home”  and his faltering voice adding, I… dont have anywhere else to go.” In spite of his anger and hurt, he’d agreed to let Mark stay because he had known that if he didn’t, he too would always be fundamentally lonely - even if he were with someone else.

 

After taking a few photographs of the colleges,  Stephen continued along his way, crossing back over the Cam and into the town. He took his time, drinking in the architecture and gazing into the gaudily decorated shop windows.

 


They’d agreed not to wait for each other, given the cold December air, so he paid for his ticket and made his way into the old converted cottages of Kettle’s Yard.  He walked carefully across the floorboards in the hushed interior. There was a warmth here that made it quite unlike the galleries in London. It had been a home and there were no barriers between the visitors and the artefacts. Mark had assured him he would love it and he did. Objects were placed on pieces of furniture and windowsills.  There were sculptures and paintings by British artists but what drew his eye was a spiral of pebbles. Small stones, selected perhaps from thousands on a beach, gathered up to be treasured. Lost objects found and given a new home.

“Stephen.”

He turned.  There he was, smiling at him. Found. Loved. His home.

 

 

 

 


Monday, December 18, 2017

Advent Calendar Day 18

Brrr! Another chilly Monday morning because, regardless of the weather, it's a cold day in hell when you have to work during the holidays. (Okay, maybe I exaggerate.)

This morning we have something sweet and scrumptious from one of my favorite multi-talented peoplz, but I'll let Haldis do her own intro (since she actually went to the trouble to write one)!

When Josh announced she was opening up the advent calendar again this year, I had no clue what I would write…except that it would involve Mr. Pinkerton, of course. It was actually a picture from Josh’s post, a picture by Catherine Dair and a quote from I Spy Something Christmas…which brings me to Dickens…which brings me to a book…and cake…and then I decided we needed The Mysterious…and, well, you get the idea.
And then I decided to color (mostly in the lines) the semi corresponding picture by Johanna Ollila from Love is a Many-Colored Thing.
Enjoy and Happy Holidays,
Haldis

 Mr. Pinkerton and the Christmas Cake

            Mr. Pinkerton slipped past a pair of booted legs into the sparkling warmth of Ye Olde Book Store. He quickly moved to the side, so as not to be trod upon, and shook off the flakes of snow that had landed on his fur during his sprint from Miss Butterwith’s cottage. He didn’t have time for a proper grooming so he hoped he would dry quickly in the cozy bookstore as the store was nearly full to capacity with many of the village’s residents and also quite a few people that Mr. Pinkerton did not recognize. Geoffrey, the store’s owner, had told Mr. Pinkerton there would be something very special at this year’s holiday party.
Look at the eyes on that thing!
                        Ye Olde Bookstore, always a very comfortable and inviting space, was all decked out for the Holidays with shiny baubles that, when he was younger, he liked to swat, and satiny ribbons that he would chew and pull and roll. But he was older and wiser now and did not engage in such activities. Much. Maybe once….or twice….a day. Anything more he left up to Kit, the resident bookstore cat.
            Speaking of the little Ginger Fury himself, Kit came up and touched his nose to Mr. Pinkerton’s in greeting. And now that he thought about, Kit wasn’t so little anymore. In fact, he had grown up to a rather impressive young cat.
            “Ah, Mr. Pinkerton,” greeted Geoffrey, as he grabbed a towel and started rubbing down Mr. Pinkerton. “We’ll get you cleaned up and then you and Kit can help me play host.”
            “Meow,” agreed Mr. Pinkerton. With the gentle rub-down he was getting, Mr. Pinkerton most likely would agree to anything. He purred and leaned into Geoffrey’s touch.
            “Alright, you two, which one of you wants to ride on my shoulder?” asked Geoffrey
            Mr. Pinkerton, after a glance to Kit to make sure of no objections, sprang up to Geoffrey’s shoulder, being careful not to stick his claws into Geoffrey’s soft knitted jumper. Together they made the rounds greeting several residents before, at last, coming upon one of the visitors.
            “Mr. Winter, welcome! We are so very honored to have you and Professor Crisparkle here tonight,” said Geoffrey
            “Please, call me James,” said Mr. Winter. He gave Mr. Pinkerton a wary once over, but then looked back to Geoffrey.  “You have a lovely store Mr. Alleyn.”
            Who’s Mr. Alleyn? thought Mr. Pinkerton.
            “Oh, please, call me Geoffrey,” answered Geoffrey, apparently also Mr. Alleyn. Mr. Pinkerton found it strange the number of names that humans went by. Even after a year, Mr. Pinkerton still wasn’t used to Geoffrey calling Inspector Appleby ‘Andrew’.
            Soon Geoffrey and Mr. Winter were off on a rather lively and enthusiastic discussion about rare books and Mr. Pinkerton was nearly dislodged from his perch and decided it was probably best to seek a safer vantage point.
He jumped down on to a row of low bookshelves, stopping to sample a sip of eggnog out of an unattended tumbler, and just a small taste of cake on the plate beside it before  surveying the crowd. Kit was busy being the center of attention with Miss Butterwith and Mrs. Fox from down the lane. Inspector Appleby was in a discussion with a tall silver-haired man and a shorter darker-haired man. Mr. Pinkerton leapt across two bookcases to join them just as two other men, one blond and stocky, the other a little taller with glasses, approached Inspector Appleby.
            “Fraser Fortune, from The Mysterious” said the blond man, holding out a hand to Inspector Appleby. “I was hoping for a word with you, Inspector.
            “Uh, the mysterious what?” asked Inspector Appleby, shaking Fraser Fortune’s hand.
            The man with Fraser Fortune snorted.
            “This is my partner, Drew,” said Fraser Fortune, while glaring at Drew, though it looked like he was trying not to laugh.
 “Ah yes, The Mysterious. I have watched your show, Mr. Fortune,” said the silvered haired man. He had an accent form the Southern United States, as soft and smooth as cream. He held his hand out to Frasier Fortune. “I’m Stephen, and this is my boyfriend, Mark.”
“Nice to meet you both, and please, call me Fraser,” said Fraser Fortune.
“So Frasier,” asked Mark. “Are you here tonight hoping to get a glimpse of the Ghost of Christmas Past, or perhaps of Christmas Yet to Come?” He had a certain glint in his eye, like a hunter, thought Mr. Pinkerton. Very like a cat.
“Well, actually no,” answered Fraser. He looked a bit sheepish.
“We’re here about a crime solving cat and a botanist. We were hoping for an interview,” said Drew and he grinned over at Fraser. “
 “I’m sure Mr. Pinkerton would give you an interview,” said Inspector Appleby
“Mr. Pinkerton? I’m guessing he’s the botanist?” asked Fraser.
“No,” stated Inspector Appleby. “He’s the cat. What do you think, Mr. Pinkerton?”
“Meow,” agreed Mr. Pinkerton. He was feeling particularly agreeable this evening. Perhaps it was the friendly, festive atmosphere of the gathering. Then again, maybe it was the spiked eggnog.
            Inspector Appleby leaned in close to Mr. Pinkerton and whispered, rather loudly, “You’ve got a bit of cake in your whiskers, Mr. Pinkerton.”
            Mr. Pinkerton gave a quick lick to his paw and a hasty swipe down his face hoping he dislodged the errant crumb and then turned his attention back to Fraser Fortune.
            “Meow,” greeted Mr. Pinkerton.
 “Uh…..” said Fraser, staring open-mouthed at Mr. Pinkerton.
Well, thought Mr. Pinkerton, this was going to be an engaging interview.
Fraser Fortune continued to stare at Mr. Pinkerton.
Mr. Pinkerton stared back at Fraser Fortune.
“What’s the matter, dear?” whispered Drew to Fraser Fortune. “Never interviewed a crime-solving cat before?”
Fraser Fortune turned his glare on Drew, but Mr. Pinkerton could see the fond smile that played on his lips.
“Well, at least it’s not an ocelot,” said Mr. Winter, who approached from the side with Geoffrey.
“We’re ready to start the reading,” said Geoffrey, before anyone could ask about the ocelot. “You sure you don’t want to do it?” Geoffrey asked Mr. Winter.
“Oh, no, Sedge is much better at that kind of thing,” answered Mr. Winter.
Geoffrey moved over to where a man sat in a high back chair with a red leather book in his lap.
“Good evening, everyone,” called Geoffrey. “It’s the moment we have all been waiting for.” Geoffrey grinned at the crowd. “I’ve always wanted to say that. It is my honor to introduce Professor Sedgewick Crisparkle and the reading of The Christmas Cake.”  Geoffrey clapped with the rest of the audience as he stepped away and rejoined Inspector Appleby.
“The Christmas Cake, by Charles Dickens,” read Professor Sedgewick Crisparkle in a warm clear voice. He opened the book, turned a page. “Our story begins with a fallen star. But the star is not the story,”
Mr. Pinkerton settled in to listen to the story as Kit came and curled up next to him. Miss Butterwith joined him and absently started stroking his fur as she listened to Professor Sedgwick Crisparkle. Mr. Pinkerton began to purr. With Kit next to him, his favorite person standing to one side, and Inspector Appleby and Geoffrey on the other, and surrounded by all of his friends, both old and new, Mr. Pinkerton could not have asked for a better Christmas and he thought of the words of another Dickens story that Miss Butterwith had read to him.
God bless us, every one!



Sunday, December 18, 2016

Advent Calendar Day18

Have you finished your holiday shopping? It's the 18th!


This morning's offering comes once again from the enormously talented and crazy-generous Catherine Dair.



We revisit Mark and Stephen from the I Spy series (the quote is from I Spy Something Christmas).





Today's giveaway is a signed copy of In From the Cold, the print collection of I Spy stories. I'll choose one random commenter from belooooow. Just share a heart-warming (or other part warming) memory or story with us! 

Friday, October 4, 2013

Alexander J. Masters on the I SPY SOMETHING series


Tell us a little bit about your background. How did you get started in narrating/producing audio books? How many audio books have you narrated?

 
 
I was active in theater when I was very young and was performing on stage until I was about 18, at which point I became more interested in the written word and its potential for being the most raw and concept-based artistic expression. As a result, I received my degree in literature with the intent to write fiction. While at university, I met my now wife, who is Croatian, and upon graduating, moved to Zagreb to live with her. Now, Croatia has about a 30% domestic unemployment rate, so the odds of finding work as a foreigner are not favorable. This led me to start looking into online freelancing opportunities. I began picking up jobs as an editor and applied to a few voice-acting gigs because of my earlier interest in theater. After a time, I discovered that not only was I getting more jobs as a voice-actor, but the pay was significantly higher. I started with advertisements and English learning programs, and even voiced a few video game characters, but because of my love for literature, I was mostly looking for work with more narrative substance. At this point, I’ve been working in the field for about two years and have produced eight audiobooks.

 

How much acting is involved in narrating a story?


 Quite a lot, actually. I think listeners can always tell the difference between a narrator who is performing a cold read (has never seen or read over the text before the recording) and a narrator who has read the text at least once, analyzed and developed the characters, and rehearsed the lines thoroughly before entering the recording process. Characterization is particularly important when the story is told through a first-person perspective, as with The I Spy Stories, because the narrative is driven almost solely though the thoughts and opinions of the protagonist, so if the narrator does not fully understand—and to some extent identify with the motivations, desires, and flaws of protagonist, the result can be unnatural, which, considering the narrator’s job is to breathe life into the characters s/he portrays, could potentially compromise the believability of the story as a whole.

 You narrated all three of the I Spy stories. Mark is probably one of my most cold-blooded and ruthless characters. You did a wonderful job of humanizing him. What feelings or emotions were you focused on conveying with your voice? Did you consciously change his voice as the stories progressed?


 

First of all, thank you very much! Mark is a fascinating character: I’m not sure I would go so far as to say that I would consider him cold-blood necessarily, but it is certainly one of the facades that he has come to assume as a result of his profession’s perspective on the expendability of human life. He is incredibly disillusioned because of this perspective, though in many ways has a greater understanding of people’s motivations. This level of experience in the human condition leads him to be constantly disappointed when his expectations of people do not match the reality. On the other hand, he is quite often correct in his assessments of people, which over time has given him a bit of a superiority complex.

 
As the narrative opens, Mark is essentially a broken man: isolated and alone, exhausted and both mentally and physically wounded from his last mission. The last time he had any warmth or joy in his life was when he was with Steven, who, he rightly assumes, has moved on. He has to physically remove himself from the situation that is causing him to act cold-bloodedly before he can regain his humanity, which means turning back to that point at which his warmth and joy was derived, Steven. He does so only to find that, on the surface, Steven no longer wants to fulfill this role for him, though even so, Mark’s hopefulness does not altogether falter.

 
As the love between them begins to spark back up again, we see Mark coming out of his damaged state and gradually he becomes more and more alive. At this point, we realize that Mark is not ruthless at all, but rather a consummate romantic and optimist who had lost his love and thus, his human side. As he begins to put himself back together with the aid of Steven, he becomes more confident and realized. My goal with Mark was to covey this transition from broken and despondent to fulfilled and content.

 

What character was the most fun to narrate? Why?


 
Mark, no contest. His observations and comments are priceless and filled with wit and poignancy. He is the most complicated and flawed character in the stories, and because of this, the most fun to narrate.

 

Which character was the most difficult to narrate? Why?


 
It’s a toss-up between Anoushesh and Lena. To begin with, I’m never truly satisfied with my portrayal of female characters, and add to that cultural distinctions and foreign accents, and the product is about ten different takes on every line they say until the result is something that I can live with.

 

Was there a particular scene you think you read especially well? Or that you particularly enjoyed reading?


 
My favorite parts were when Mark was either getting in someone’s face or responding to someone’s stupidity. The party scene from I Spy Something Christmas was the most fun because I really got to play with the characters of the guests until I got them stereotyped and boring enough for the purposes of the story. I think my favorite line was when an old codger at the party says to Mark, “So Steven tells us you used to be a civil servant…in my day, that was code for spook,” and Mark responds without missing a beat, “Really? In my day it was code for civil servant.” Brilliant.

 

Readers have remarked on how beautifully you read the moments of intimacy between the characters. How awkward is it to read erotic scenes aloud?


 
Now, bearing in mind that when I’m reading these erotic scenes, I’m sitting alone in a small, dimly lit, padded room, essentially having sex with myself, it’s actually not as awkward as one might think. You do your best to set the mood for yourself—maybe light a few candles and have a glass of wine, and then you just get right into it. All of these things considered (or not, if you don’t want that spectacular mental image), the only thing that’s actually difficult or slightly awkward is the amount of takes and re-takes it requires to get a realistic and natural-sounding moan.

 

What’s the most satisfying or rewarding part of narrating/producing an audio book?


 
As trite as it may sound, the most satisfying part is when the project is drawing to a close and all of the various parts are coming into a sort of cohesion. As far as rewarding, it’s really a great feeling to look at the number of sales on a project and see the ratings and reviews left by people who enjoyed it.

 

Do you ever find yourself wishing the author hadn’t taken the story in a particular direction? Or is narrating a much more detached process?


 
While it can be difficult to stay detached when you are invested in a story for a greater amount of time, I do try not to impugn the judgment of the author. That being said, it’s only natural as a reader to imagine alternate directions that the author could have taken, but I don’t think I ever explicitly ‘wish’ they had taken the story in a different direction.

 

Where can readers/listeners find out more about you and your work?


 
As of now, my resume is still fairly short and I’ve not done much as far as self-promotion. A few of my other projects can be found on Audible, though for the most part, my work is featured on my clients’ individual websites. I do, however, have a working profile and portfolio with some of my other projects here: https://www.odesk.com/users/~01876d163e747c9671

Friday, September 27, 2013

I Spy Something Audible

Oh yes! I Spy Something Bloody is now available in audio. The story is narrated by Alexander J. Masters, who I think does a brilliant job of capturing Mark's gently malicious and often cold-blooded voice.

Even better, for three dollars more you can buy the complete collection of I Spy stories. In From the Cold is also available!

Given how really cold and ruthless Mark can be, I find his attachment -- his adoration -- of Dr. Stephen Thorpe one of my more romantic pairings. The stories are quite romantic.

Anyway, here they are -- available for your listening pleasure. I do hope you enjoy them!

Monday, June 24, 2013

I Travel On This Train Regularly!

Yes, I should be writing. Instead...rambling thoughts on audio books, ACX, and the changing face of publishing.


Just finished listening to the first fifteen minutes of In From the Cold, narrated by Alexander Masters. I’m loving what I’ve heard so far. Masters’ voice is deep and dreamy, which perfectly suits the opening pages of I Spy Something Bloody  with Mark mostly zonked out of his skull, thanks to pain killers, PTS, and exhaustion. Anyway, I think this is going to go over well with readers. Listeners. Listening readers.
 

I stumbled across a blog Neil Gaiman did about audio books back in 2011 and he made two excellent points -- excellent then and probably more excellent now. Pay attention to your audio book rights. Don't hand them over without a second thought (as we all used to do for years and years). And if you hold your audio book rights, think about doing something with them. Like ACX. Not that I haven't had my issues with ACX, but so far they seem to be the best solution to the problem of the humble rest of us affordably getting audio books produced and distributed.
 

Last week I spent a couple of days listening to auditions and picking narrators -- four of them -- for In Sunshine or In Shadow. Brick Shop Audio is producing this project (they also handle the Holmes & Moriarity books) so I’m confident it’s going to be a completely professional production from start to finish. Is anyone going to want to listen to a book of short stories? I just don’t know. It’s going to be a very expensive project and in some ways it’s the riskiest one yet. I'm excited to hear the final results though. (In case, you hadn't noticed, I am very pleased with the way that short story antho turned out.)

 

Because the narrators are also the producers, I definitely check their backlist when I’m picking narrators. I also listen to their other sample clips on ACX and I check out their website. I want to know what I’m getting. Not just as far as the voice, though the voice is paramount, but I want a feel for how this person conducts themselves. Lately -- I guess this is a sign of the publishing times -- I’ve had problems with indie contractors not meeting commitments, not coming through. So I look for a known quantity, but I’m also not afraid to take a chance on a narrator without a long backlist to their credit. I’ve found some wonderful, fresh talent that way.

 

In fact, I’ve been really happy with each of my narrators and with the final audio books. It’s hard to know how well the books are doing. I haven’t been able to find any “average” figures for indie audio sales. So far I’ve got nine projects out there and I’ve sold just under 3500 books in total. Is that good or bad? I have no idea. It’s relative anyway, because all that really matters is whether I am making money.

 

And, despite concerns with Amazon/Audible’s high-handed promotional pricing tactics, I seem to be. Making money, I mean. Certainly the projects are, slowly but surely, paying for themselves. Which is a huge relief -- and the reason I’ve resumed commissioning audio productions.


The other thing that softened my stance was hearing from readers for whom English is a second language. And readers who have physical challenges reading. For both these sets of readers, audio books are more than an indulgence. In some cases they're a godsend. Not that I have ever been anything less than enthusiastic about audio books. Both as an author and a reader. In fact, I've started buying more audio books than ever.

 
I've read blogs where authors chose two narrators to do a book together -- splitting up male and female parts, for example. I wonder how that would work...
 

One thing Audible has abandoned, as of the end of this month, is the dollar honorarium paid for each unit sold. So now charging $1.99 for an audio book really is asking the rights holder to take a leap of faith. I don’t disagree with discontinuing the honorarium. It more than served it’s purpose, given that ACX can’t keep up with processing all the titles coming through the pipeline now. I will be sorry to lose that extra dollar per book, though!  It was a nice little perk.


BUT they've started giving authors more promo copies, so that's pretty neat. You readers will definitely benefit from that. And so will I, I do not doubt.  

 

I read a blog by Bob Mayer where he mentioned paying about $175 per finished hour, which I suppose would make it easier to recoup costs and start making a profit. I pay between $200. and $350. depending on the narrator’s experience, the commerciality of the project, etc.  A lot of authors seem to gravitate to the split royalties option. I’ve done that once (ACX was offering a stipend to sweeten the deal) and we seem to have done all right out of it. I’m not generally comfortable with it because I hate having to be in the position of asking someone to take that kind of a risk on me. And, realistically, sharing rights to the project for the next seven years seems precarious given how much every aspect of the publishing industry has changed in the past two years since I went indie.  

 

I’ve seen a few comments from narrator/producers on blogs where they talk about royalty share and how the narrator is taking all the risk. That’s mostly true though not completely true. Obviously the narrator is investing time and talent on a project that may never pay off. But the narrator is a huge, huge part of the success of any audio book, so the author is also taking a risk. I’ve loved every one of my narrators, but I hear different things from listeners. Especially the listeners who don’t know me, don’t know my work except through the audio books, and aren’t hesitant to offend my delicate sensibilities and slam my carefully chosen narrator.  

 

I listen to a lot of audio books (and sample a lot more) and sometimes I just cannot believe the voice over choices some authors make. I don't necessarily mean the narrator him or herself (though, yeah, sometimes). I mean the crazy, tinny, or hollow background sound. How can nobody not hear that?! Is this because it's a share and this is the best for the bucks? This is where the risk comes in for the author. What if you ultimately decided you wanted a different narrator/production? What’s the process there? If you’re sharing royalties, you’re most certainly locked in for the next seven years. That’s going to be a risk for all concerned. Especially if decisions were made to cut corners.

 

I’m guessing that some narrators, the ones who’ve been doing this professionally for years and years, find the developments in voice over as unsettling as mainstream authors found developments in self-publishing. I get a sudden vision of that scene in Hard Day's Night. I fought the war for your sort! But there really is a lot of wonderful talent out there and I can't see that making audio books so much more affordable is going to be a bad thing. Assuming everyone makes their investment back.
 
 

Sunday, December 23, 2012

Tuesday, December 18, 2012

Christmas Coda 13


Mark and Stephen from the I SPY series

 

 

 

**This coda is actually a snippet from the novelette I Spy Something Christmas that will be out (fingers crossed) in time for the holiday.

 

 

I closed my eyes, dozed.

Music was playing downstairs. Bing Crosby. Very traditional. I smiled. The floorboard squeaked and I opened my eyes to soft light and wonderful smells. Irish coffee and warm gingerbread.

Stephen set the tray on the bed and crawled in beside me once more.

“You’re spoiling me.”

Lena is spoiling us both.” He broke off a piece of gingerbread and held it out to me as though he were feeding me wedding cake. I raised my head, nibbled the gingerbread, licked his fingers when I’d taken the last bite. He closed his eyes and gave a twitchy smile. I kissed his fingertips and let my head fall back in the pillows.

“Favorite Christmas carol?” I asked.

“Modern or traditional?”

“Both.”

“‘Silent Night.’ ‘Please Come Home for Christmas.’ You?” He offered another bite of gingerbread.

I took a bite. Swallowed. “This year? ‘I’ll be Home for Christmas.’”

He smiled, understanding. “Traditional?”

“Not really a carol. The Christmas section of Handel’s Messiah.”

“I should have guessed that. My turn. Favorite Christmas movie?”

Mister Magoo’s Christmas Carol.”  

Stephen laughed.

“Quite serious. It’s one of your classics, yes? I loved that razzleberry dressing and woofle jelly cake.”

“You do enjoy your food. I’m not sure where you put it.” He stroked my ribcage.

I sucked in my stomach. “Yours?”

It’s a Wonderful Life.”

I said, “You’ve made a difference in a lot of people’s lives. A good difference.”

His green gaze was grave. Sometimes he saw too much.  “Best Christmas memory?” he asked.

“This,” I said. “Tonight.”