And when she turned to writing fiction as Joanna Chambers, I liked what she had to say then as well. A lot.
As I was considering my first interviewee of the New Year, naturally my thoughts turned to Joanna. Who better to provide the first footing of 2017?
Share your favorite recipe for porridge. COME ON! You're Scottish. You must have a favorite recipe for porridge. What about mince and tatties? DON'T BE SO SECRETIVE.
JC - I am indeed Scottish! And my Scottish working class credentials
are so spotless, it hurts. My dad, who is Keeper of the Family Tales, used to
tell me that his grandmother (who had thirteen children) used to fill a drawer
in the kitchen sideboard with porridge every morning and when it hardened, she
would cut it into squares and the sons would take a square each down the pit.
True! My recipe, however, creates a
porridge so silky and creamy and soft it would have dribbled out of Marann’s
drawer and landed in a puddle on the floor. It is this: put some rolled
porridge oats in a pan with a splash of milk and loads of COLD water. Like, 4
times as much water as oats. Plus a generous sprinkling of sea salt. Then you
put it on the very lowest possible heat for 30 mins and completely leave it
alone. Don’t touch it. Don’t even look
at it. After 30 mins it will be perfect. THEN sprinkle over a teaspoon of
demerara sugar and, dribble some cream over - I swear it’s the most delicious
thing you’ve ever tasted. The key thing is getting a good balance between sweet
and salt.
Do you believe the sins of the father shall be visited upon the sons? What about the sins of the mother?
JC - Let’s look at this from a writerly angle.
This calls for an example. Let’s call the son in the following example,
Adrien. Adrien’s mother—let’s call her Lisa—murders Adrien’s grandmother,
resulting in Adrien unexpectedly inheriting his grandmother’s valuable ranch.
Let’s say that Lisa is motivated by a hatred of people with golden-brown eyes -
which Granny has. Adrien has nothing to do with plotting or carrying out the
murder.
Question: Do we think the sins of Lisa should be visited on Adrien in
the following scenarios?
- Adrien shares Lisa’s hatred of people with golden-brown eyes, was aware of her intention to murder his grandmother and did nothing to stop herAnswer: In this case, surely the sins of Lisa should be visited upon Adrien to some extent? Adrien is not innocent here, even if his sin is on only one of omission, namely not acting to save Granny? (Although it may be that Adrien didn’t act because he was unable to do so, e.g by reason of grave illness, such as rheumatic fever). In a satisfying story, how would Adrien end up? Would him losing the ranch be enough to restore ‘order’ at the end of the story? If I was writing this, I’d burn the ranch to the ground and have Adrien make a moral choice to redeem himself.
- Adrien does not share Lisa’s hatred of people with golden-brown eyes but again, he was aware of her intention to murder his grandmother and did nothing to stop her – this time because he wants the ranchAnswer: In some ways, this feels worse than (a) from a moral perspective – but why should that be? Is there a moral distinction between someone who does (or fails to do) something out of a vile but genuinely held belief and someone who does (or fails to do) it for purely monetary gain? Hmmm. If I was writing this story, Adrien would probably be hounded by his grandmother’s ghost till he throws himself from the battlements—or whatever it is ranches have instead of battlements.
c.
Adrien does not
share Lisa’s hatred of people with golden-brown eyes—indeed he has argued with
her about the subject vociferously—and was also entirely unaware of her
intention to murder his grandmother .
Answer: In this case, Adrien is innocent
- surely Lisa’s sins should not be visited upon him? Nevertheless, he is benefitting from the ranch as a
direct result of murder. So, should Adrien pay? If I was writing this, I think
Adrien would go to the ranch and meet a man with golden-brown eyes—let’s call
him Jake—and together they would unravel of the mystery of how his grandmother
died and then live in the house together happily ever after. (And it may even
turn out that the murderer wasn’t Lisa anyway, but some… I don’t know… English
dude called Guy or something).
Does that answer your question? I think, long story short, I got to Yes.
Okay. Um, leaving the unexpectedly dark and twisted murderous inclinations of the English family for a moment...standalone versus series? What do you prefer as a writer? How about as a reader?
JC - As a writer? Well, there are pros and cons of both, I’m not sure I
have a strong preference, though I do look back on the trilogy I wrote
fondly—having said that, I tend to forget how difficult each book was to write,
after some time has passed.

I think for a series to be ‘more’ than a standalone for me, I want
something bigger than the individual books. Something that builds through all
the books—that might be a single relationship or it might be a story that
unfolds and reaches its denouement in the final book.
Is it true that your day job is bounty hunter? Why not? That's a very cool job. You would be good at it.
JC - No, that is not true. Unless you’re talking about moist, tender
coconut drenched in dark, silky chocolate? In that case, yes and I am, thank
you.
Bonbons and bounty hunters. It sounds like a cozy mystery. What do you think is the most important thing to remember when creating fully realized main characters?
JC - This is the hardest thing about writing, for me, anyway. I think it’s actually really difficult to avoid just writing yourself into characters, especially when you’re writing a scene, and you’ve got some kind of flow going. It can be hard not to just reflect what your own reactions to events would be. It seems kind of obvious to say this but I think the most important thing to remember is that the character isn’t you. Judging by how often I read characters in novels who seem to act/ speak more like someone of the age/gender/demographic of the author rather than of the supposed character, I don’t think I’m the only one who experiences this.
Fashion magazines always ask this question: What is the one cosmetic or grooming tool you cannot live without? And do you have any idea why all these fashion models are always pretending the one tool they can't live without is their EYEBROW GROOMER?
JC - The one cosmetic I would take to my desert island would be a very red
lipstick– that is the best face decoration there is, an excellent enhancement
to an expression of curled-lip disgust.
JC - I’m okay with it actually. My RL job is all about winners and losers and there’s a lot of post-morteming/ post-facto rationalisation/ arse-covering. So, with writing, it’s kind of weirdly restful to me that there’s just a range of opinions and some people will hate your book and some will love it and some will just be *meh* about it but no one gets ultimately proved *right*. I’d probably feel very differently if my writing was my sole or main source of income, but since it’s not, I get the luxury of not minding so much.
I'm not sure why this seemed to be a natural segue, but here we go. Have you ever broken a bone? Have you ever broken anyone else's bones? You must have because your day job is bounty hunter. Have any of your victims sued you?
JC - No, no and no! I have never broken a bone, either my own or
someone else’s, although I am clumsy and suspect I may have chipped my coccyx more
than once.
Is there any genre you'd like to tackle but you're kinda sorta afraid?
JC - Hmmmm. Well, for the last year or two, my major reading preference has
been contemporary US set books—I’m kind of obsessed with the idea of learning
about another country purely through reading a single genre of fiction—or
that’s my excuse anyway. Would I want to tackle one myself though? Nah. I’m
most comfortable with UK early 19th century and UK Contemporary at
this point, but I have written one paranormal-fantasy story and am planning a
pair of paranormals set in the 18th century so that’ll shove me out
of my comfort zone on two fronts.
Oh, you have to come and visit us! And by us, I mean everyone in the U.S. We'll show you how the other half lives. Enywho. What are the elements that make a Joanna Chambers book unique? What do you consider your strengths as a writer?
JC - Um… well, credibility is important to me. When I wrote my first novel (a het romance in which the heroine masqueraded as a man – as the hero’s valet) it was because I’d decided I really wanted to write a credible chick-in-pants romance. I’d read a rash of reader blogs talking about how they couldn’t suspend disbelief with chicks-in-pants stories but I’d also read real-life stories about women who did successfully masquerade as men at the time, so I had this whole thing in my head about meeting that challenge and how satisfying that would be. At this point, I’m mostly known as an
author of historical MM and my ambition with these stories is to have a
credible HEA for my characters. When I say a
“credible HEA ”, I mean two things: credible
for the period but also credible as a
romance HEA i.e. a proper soaring HEA
rather than a limited one. Since I’m a long-term romance reader, I’ve got a lot
views on what makes a good HEA and what the
end of a romance book should *feel* like and I really didn’t want a limited,
lesser version of that for my characters, but it does take a bit of doing.
Where did you and the Mister meet?In a student union, on the dancefloor. We were shoe-gazing to some Indie song. We shuffled up to each other and the rest is history.
What are you working on right now? What's coming out next?
JC - My next release, in April-ish 2017, will be a Victorian historical MM set
in Cornwall called A Gathering Storm. It’s part of Riptide’s new Porthkennack
line featuring a number of other authors (Alex Beecroft, Garrett Leigh, JL
Merrow and Charlie Cochrane). My book is set in Victorian times and features an
eccentric scientist who is trying to contact his dead brother with the help of
a sceptical half-Romany land steward (!) Basically it’s about the twin
Victorian obsessions of science and spiritualism.
Oh! I love it already!
As for what I’m working on now. I’m writing a contemporary spy MM story with Carolyn Crane which I’m sort of super-excited about (hopefully out first half 2017) and a second Porthkennack book for Riptide – a contemporary this time which should be out in August 2017.
Oh! I love it already!
As for what I’m working on now. I’m writing a contemporary spy MM story with Carolyn Crane which I’m sort of super-excited about (hopefully out first half 2017) and a second Porthkennack book for Riptide – a contemporary this time which should be out in August 2017.
Do you believe in extra-terrestrial life? What about angels?
JC - I’m a no, on angels. I think extra-terrestrials are possible, and
probably statistically likely, but I can’t say I get terribly excited about the
possibility. I’m just not fundamentally
that interested in the idea of aliens, maybe because I feel like I’ve got my
hands full with humans. Humans are terrifying and glorious and I still haven’t
got my head round them.
Tell us something surprising. Anything. Go on. Surprise us!
JC - When I was in Brownies (you would call them girl scouts? I was 7 or 8)
I was unsuccessful in my bid to win my writer’s badge.
Still mortified about that.
LOL. And so you should be. ;-)
You can learn more about the Joanna at her website. AND you can find her on Facebook.
LOL. And so you should be. ;-)
You can learn more about the Joanna at her website. AND you can find her on Facebook.