Showing posts with label #LamentatLoonLanding. Show all posts
Showing posts with label #LamentatLoonLanding. Show all posts

Friday, March 31, 2023

New Release: LAMENT AT LOON LANDING

 


I can't even tell you the week I've had. From personal to professional to physical every flipping thing has gone off the rails. 

But I did it. I SURVIVED. 

And the now LEGENDARY book is done. I haven't even had time to make teasers or--heck, I haven't had time to brush my hair. The little finger of my left hand hurts like a ((**^^%$##@! and the book may or may not be any good. I can't tell anymore. I don't even care anymore.

(Okay, yes, I do. I hope you enjoy it AND can now read DEATH AT THE DEEP DIVE.)

BLURB:

Fakes, folk music, and ghost fires

 When legendary folk singer Lara Fairplay agrees to make her comeback debut at Pirate’s Cove’s annual maritime music festival, everyone in the quaint seaside village is delighted—including mystery bookstore owner and sometimes amateur sleuth, Ellery Page.

Better yet, Lara is scheduled to perform a recently discovered piece of music attributed to “The Father of American Music,” Stephen Foster, which will hopefully bring large crowds and a lot of business.

Several mysterious accidents later, Ellery is less delighted as his suspicion grows that someone plans to silence the celebrity songbird forever.


SNIPPET

Watson, apparently under the impression the drawbridge closed at midnight, came racing through the open door behind Ellery, and skidded across the polished wood floor.

Despite his weariness and mounting depression, Ellery chuckled. “Did you almost miss your bus?”

Watson, looking a little sheepish, picked himself up, and wagged his tail.

“I think we could both use a midnight snack.”

Unlike Ellery, Watson had had all his meals that day, but he still thought that was a terrific idea. He trotted into the kitchen after Ellery.

Ellery fixed Watson a small portion of his food and then opened a can of soup for himself.

Campbell’s clam chowder was probably enough to get him drummed off the island in disgrace, but he was too tired to bother fixing himself anything more substantial.

He carried his bowl of chowder into the dining room, listened to the wind picking up, the scratch of branches against the windows. Forlorn sounds.

The knot in his stomach felt the size of Buck Island.

He could not seem to think past…

Well, he could not seem to think.

His brain felt cluttered with all the bits and pieces of information he had collected over the past twenty-four hours, but the puzzle was not taking shape. He was exhausted. That was a lot of it. He’d had one hell of a day.

And, of course, he was distracted, worried about the situation with Jack. Twice he picked up his cell to phone. Twice he laid his phone down. Disturbing Jack at work in order to discuss problems in their relationship was not going to win points.

Tired as he was, Ellery knew if he tried to go to bed, he’d spend the next few hours tossing and turning. Instead, he turned to his tried-and-true method of calming his nerves and focusing his thoughts: Solitaire Scrabble.

There was something soothing, centering, about playing against himself. 

It wasn’t just about relaxation though. Solitaire Scrabble was a way to analyze and work through his problems without consciously trying to do that very thing. Time and time again, the words that popped up during this mental exercise were illuminating, enlightening.

It had been weeks since he’d resorted to Scrabble. Unlike those first months after he’d moved to the island, Ellery no longer had endless time on his own. But as he set up the board and tiles on the dining table, he found comfort in the familiar ritual.

He picked seven random tiles from the soft green bag and placed the first tile in the middle square on the center of the board.

He got THEN (seven points) but THEN, to his bewilderment, was stuck. And remained stuck. He struggled for time, certain that he was after AUTHENTIC, and eventually realized he was so out of practice—or perhaps so distracted—that he was looking at the board the wrong way. In fact, he had the letters for AUTHORITY (15).

It was still a miserable showing and the board was a mess of half-hearted attempts.

What the heck?

Something about that stern vertical line of tiles struck home. He recalled Nora’s and Kingston’s efforts to get him to see the situation at Dylan’s from Jack’s point of view. What they had not said, what only occurred to Ellery now, was that he had directly, if inadvertently, challenged Jack’s authority that morning. Not Jack’s authority as Ellery’s boyfriend. Jack’s authority as the Chief of Police.

Ellery’s stomach did an unhappy flop.

Just as he had been hurt and offended that Jack would pull rank on him, Jack had no doubt been equally offended that Ellery would, well, take liberties. Ellery too had pulled a kind of rank by expecting Jack to do his job the way his boyfriend wanted, rather than the way he thought best.

Ellery could not seem to tear his stricken gaze from that single forbidding strip of letters.

Oh hey. And right next to it was IDIOT (six points).

You got this, genius!

Into these cheerless thoughts came the solemn chime of the doorbell.

 

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hahahahahahahaha

I forgot to put buy links!!! 




Friday, January 13, 2023

I Hear That Train A Comin'

 


What is it about the start of the new year? 

It's like you're in that Christmas Coccoon, and then you reluctantly tear (or is it eat? NOT THAT I'M PROJECTING) out of the coccoon and you're a BUTTERFLY at last!!!! Well, no. YOU'RE THREE MONTHS BEHIND! EVEN THOUGH YOU ONLY TOOK ONE MONTH OFF. 

Anyway, it's disconcerting, to say the least.

So let's start with the obvious. I didn't manage to get Lament at Loon Landing out last year, which means it falls into this year. I'm just hitting the halfway mark (I KNOW), so we're looking at end of the month--more realistically the beginning of February because I've got the fabulous Kale Williams lined up to do the audio on 44.1644° North, WHICH MEANS North will be out first. Then Lament at Loon Landing THEN straight into Corpse and Captain's Seat

Meanwhile, I'll still be writing Puzzle for Two for Patreon, followed by (I think) a new novel, tentatively titled Ghosted. ;-D 

Then we've got the final Holmes & Moriarity book (not including any potential, possible Christmas novella somewhere down the line) The 12.2 Per-Cent Solution. Ideally, that should come out around June because it's the wedding book. But we'll see. 

After that, we're midway through the year and there is nothing else planned beyond Hex in the City (Beknob and Broomsticks 4) which was bounced from summertime to Christmastime (which makes sense as it's set at Christmas). 

There was a bit of concern when I yanked it from Amazon, but the book is absolutely happening. In fact, here's the cover reveal:





Isn't that beautiful? Thank you to Reese Dante for the (always) gorgeous artwork.

Anyway, that's going to be MORE than enough for 2023, assuming I can even pull off all of that. I'm not committing to actual dates on anything because we know how that goes. I mean, the truth is, I'm just writing at a pace that feels comfortable and creative. I'm in the (very) fortunate position of (so far) being able to live off my backlist (supplemented by my very dear Patrons), which allows me to write the books I'm genuinely excited about to the very best of my ability without partaking in hamster wheel exercises.  I earned about 6K less on Amazon last year (that would have been Loon Landing's release week, right there) but I more than made up for it with translation rights and other stuff. So while no freelancer can claim to have stable finances, mine are reasonably reliable in the short term. 

And the way the world is going, I'm not thinking far beyond the short term. 

(Okay, perhaps a bit bleak for the New Year.) 

But you may have noticed I'm a lot cheerier and calmer than I was even at this time last year (and last year was WAY better than the previous two years). This is a change for the better. Even if it means fewer books or books getting delayed. 

Anyway, I bunch of other stuff is going on too. I'm in the process of re-covering (as in changing out the old covers) of a large portion of my backlist. I'm exploring new translation possibilities. I'm even looking at the potential of AI and other technologies*. There's a lot happening in publishing right now and I don't ever want to be someone afraid of change. 

OH. We have a new title for the fifth and final Art of Murder book. I had tentatively called it The Painted Rocks Murders, but given reader response, it really was WAY too late to break the name convention. :-D So, its new title is The Medicine Man Murders. We're looking most likely at 2024 for that one. 

And that's about it for now. 

I hope the New Year is treating you right. Get your boosters and your flu shots! 








*Let me just clarify in case anyone is confused or concerned. 

I'm not interested in replacing real live narrators with AI. At least, not for projects that I would ordinarily pay to have narrated. I like the sound of a human taking a breath or hearing a smile in a narrator's voice. I connect to human emotion. And I believe artists should be able to earn a living making art.

Would I use AI for certain foreign translations? Yes. In fact, I'm already experimenting with that. But this isn't taking a job away from a real live narrator because no way am I going to invest in audiobooks for those works. 

Nor am I thinking of having AI write my books (though holy moly the potential for comedy with that idea!!). Writing isn't just how I earn my living. It's how I define who I am and my place in the universe. I write therefore I am. Or something like that. 

I've seen some beautiful AI art, and I know there are other creative possibilities, But any art I would currently pay a human for, I will continue to pay humans for.  

At the same time, I'm open to discovering tools and short cuts that might help me be more creative and more productive. There are some amazing and even beautiful things happening in technology. The world is changing whether we like it or not, and I want to negotiate those changes rationally and, yes, ethically.